Overall, a warm Christmas story with jolly rhymes and happy times for both the humans and the mice who share this house.
Mr. and Mrs. Mouse and their 17 children celebrate their first Christmas in their new home under the floorboards of a warm kitchen.
The husband-and-wife creators of the popular Snowmen at Night series move from snowy scenes to a cozy mouse house with a large family of anthropomorphic mice. In rhyming verse, the text describes how Mr. Mouse buys a new home for his family in a safe spot in a big house occupied by a human family getting ready for Christmas. Inspired, Mr. and Mrs. Mouse decide to provide a celebration for their family, too. With tiny items taken from the human home, the mouse parents create a decorated Christmas tree, and Mrs. Mouse sews pajamas for all the children. Santa doesn’t forget the mouse family on Christmas Eve, leaving tiny presents for all. Mark Buehner’s detail-filled paintings are great fun to peruse. Memorable illustrations include a magical scene of the mouse couple hiding in the humans’ Christmas tree and a sweeping view of the reindeer in flight as seen from above. Each illustration also contains three tiny hidden animals (a rabbit, a cat, and a Tyrannosaurus rex), which are often difficult to spot and are unnecessary to the story. A key to these hidden pictures is printed on the inside of the dust jacket.
Overall, a warm Christmas story with jolly rhymes and happy times for both the humans and the mice who share this house. (Picture book. 3-7)Pub Date: Oct. 20, 2015
ISBN: 978-0-8037-4010-5
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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