by Cari Meister ; illustrated by Sara Rhys ‧ RELEASE DATE: Feb. 12, 2019
Sure to become a fast favorite among the pony-preoccupied.
Children, mostly female-presenting, fawn over ponies in brief poems and genteel illustrations.
The title makes explicit what this book is about and who it is for, and it does not deviate from this expectation. Many poems deploy rhyming patterns recognizable to those familiar with Euro-American nursery rhymes: “A-riding we will go, / a-riding we will go. / Up and down the mountainside, / a-riding we will go.” Some poems celebrate ordinary day-to-day life with a horse; others are fueled by fantasy and imagination, augmented by Rhys’ watercolor-and–mixed-media art. For example, the illustration accompanying the lines “Gentle Gwen is a giant. / She’s taller than a tree” makes wonderful use of perspective, showing a large horse towering over a child, providing shelter from massive raindrops. The illustrations are gentle to the point of docility, anthropomorphizing the horses with sweet smiles and tender presences. Even “Sweet Little Penny,” who bucks off her young rider, does so in a gently gleeful way. The rolling hills and cobblestone paths call to mind the English countryside. Varied skin tones are depicted, though the riding gear and clothing are uniformly Eurocentric, an unfortunate missed opportunity considering that horse-riding traditions exist worldwide.
Sure to become a fast favorite among the pony-preoccupied. (Picture book/poetry. 3-7)Pub Date: Feb. 12, 2019
ISBN: 978-1-4814-9814-2
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Meg Fleming ; illustrated by Brandon James Scott ‧ RELEASE DATE: April 18, 2023
Budding zoologists take note.
Animals shout out their habitat names, sometimes finding striking similarities.
In a bouncy follow-up to I Was Born a Baby (2022), Fleming and Scott employ the same format, this time exploring animal homes. Wide-eyed, curious creatures peer out from their dwellings, each announcing where they live. Whenever there is a name that some share (such as nest), one of the animals interrupts to express shock: “Are you for SURE? I had NO clue!” Others (like an owl, a seal, and a gorilla) chime in: “Mine’s a nest!” “Mine’s a nest!” “Mine’s a nest, too!” A salamander pipes up: “I live in a bog.” Then a gopher pokes out from the soil, exclaiming, “I live in a mound.” A sleepy groundhog drawls from below, “My place is a burrow hidden in the ground.” The repeated (and dramatically incredulous) refrain helps anchor the story and highlights similarities. There are a variety of animals, in a variety of settings, each with its own vocabulary opportunity. Alas, the animals are not labeled on the pages, but the endpapers provide names, arranged by environments. Ultimately, a diverse set of tots (and their canine and feline friends) showcase the best home of all—a cozy bed, indoors. (This book was reviewed digitally.)
Budding zoologists take note. (Informational picture book. 3-7)Pub Date: April 18, 2023
ISBN: 9780063205215
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Meg Fleming ; illustrated by Lucy Ruth Cummins
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by Meg Fleming ; illustrated by Paola Zakimi
by Susannah Buhrman-Deever ; illustrated by Matthew Trueman ‧ RELEASE DATE: May 26, 2020
A simple but effective look at a keystone species.
Sea otters are the key to healthy kelp forests on the Pacific coast of North America.
There have been several recent titles for older readers about the critical role sea otters play in the coastal Pacific ecosystem. This grand, green version presents it to even younger readers and listeners, using a two-level text and vivid illustrations. Biologist Buhrman-Deever opens as if she were telling a fairy tale: “On the Pacific coast of North America, where the ocean meets the shore, there are forests that have no trees.” The treelike forms are kelp, home to numerous creatures. Two spreads show this lush underwater jungle before its king, the sea otter, is introduced. A delicate balance allows this system to flourish, but there was a time that hunting upset this balance. The writer is careful to blame not the Indigenous peoples who had always hunted the area, but “new people.” In smaller print she explains that Russian explorations spurred the development of an international fur trade. Trueman paints the scene, concentrating on an otter family threatened by formidable harpoons from an abstractly rendered person in a small boat, with a sailing ship in the distance. “People do not always understand at first the changes they cause when they take too much.” Sea urchins take over; a page turn reveals a barren landscape. Happily, the story ends well when hunting stops and the otters return…and with them, the kelp forests.
A simple but effective look at a keystone species. (further information, select bibliography, additional resources) (Informational picture book. 4-7)Pub Date: May 26, 2020
ISBN: 978-0-7636-8934-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: Jan. 27, 2020
Kirkus Reviews Issue: March 1, 2020
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by Susannah Buhrman-Deever ; illustrated by Bert Kitchen
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