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OK GO

Berger follows the success of New York Times Best Illustrated Little Yellow Leaf (2008) with a book for little tree-huggers. She fittingly uses recycled materials to create her stylized collages, at first depicting a few cars puffing exhaust against a light-blue background emblazoned with the word: “GO!” As she incorporates more cars into successive illustrations, she shifts the background to darker shades of blue and gray, while repeating “GO!” across the double spreads. This visual commentary on the fast pace of contemporary society and the environmental impact of cars and fossil fuels is powerful in its simplicity and accessibility. After screeching to a “STOP!” the text on the four facing pages of the closing double gatefold shifts from spare to perhaps intertextual in nature: Echoes of Paul Simon’s “50 Ways to Leave Your Lover” resound in the myriad suggestions for slowing down the pace of life and conserving resources: “Use the bus, Gus,” “Recycle, Michael,” and so on, thus bringing the recycling ethic not only to her pictures but to her words as well. (environmental tips, resources) (Picture book. 5-8)

Pub Date: May 1, 2009

ISBN: 978-0-06-157666-9

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY LITTLE ROCKET

A fair choice, but it may need some support to really blast off.

This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.

Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.

A fair choice, but it may need some support to really blast off. (Picture book. 6-8)

Pub Date: July 31, 2018

ISBN: 978-1-338-18949-0

Page Count: 32

Publisher: David Fickling/Phoenix/Scholastic

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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