Fresh details, stand-up jokes and anecdotes compensate for the lack of smooth narrative flow.
A zany, erratic, painfully poignant memoir of growing up working class and gay in the Bronx during the ’60s and ’70s.
Actor/playwright Capotorto’s debut is based on his one-man show of the same title, a loose translation of his surname (torto = twisted; capo = boss or head). The gallery of nutty grotesques who inhabited his Italian-American family and neighborhood ran the gamut from his tyrannical, slave-driving father to his long-suffering mother and three sisters; an array of grandmas, aunts, cousins and teachers also peopled his lonely, awkward childhood. Capotorto’s father struggled to wrest a living from the off-the-beaten-path Cappi’s Pizza and Sangweech Shoppe near Pelham Parkway, but his strict house rules drove customers away. Cappi exercised a despotic rule over his family as well. He verbally abused everyone, censored all cultural activities and tracked down eldest daughter Rosette when she ran away to become a flower child. Once the Capotortos moved from their tiny apartment into a big house a block away, teenaged Carl spent his weekends toiling thanklessly for his father in the ramshackle building’s renovation. His cameo portraits of various sadistic public-school teachers are wickedly funny, as is his send-up of the “high theatrics” of the local Catholic church, St. Lucy’s. As the author became aware of his homosexuality, he sought out likeminded “misfits,” discovered disco, got involved in drama and experimented with sexual partners. Unsurprisingly, hiding his true nature from his father made him fearful and anxious. Cappi, who never really accepted his son, died of a heart attack in 1998.
Fresh details, stand-up jokes and anecdotes compensate for the lack of smooth narrative flow.Pub Date: Oct. 7, 2008
ISBN: 978-0-7679-2861-8
Page Count: 288
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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