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RAVENS IN THE STORM

A PERSONAL HISTORY OF THE 1960S ANTI-WAR MOVEMENT

A worthy complement to Kirkpatrick Sale’s SDS, Daniel Ellsberg’s Secrets: A Memoir of Vietnam and the Pentagon Papers, David...

Maybe you do need a weatherman to know which way the wind blows—in, say, the middle of a cyclone. Enter Oglesby (Who Killed JFK?, 1991, etc.), revolutionary, enemy of the people and evenhanded chronicler of days past.

When the ’60s writ large began around 1964, Oglesby was working as a technical writer for a defense contractor, occasionally bemused by his bosses’ attitudes—they drank a congratulatory toast when JFK gave way to LBJ, sure that war profits were soon to increase—but mostly content to keep his head down. The defense work wasn’t far-fetched: Oglesby points out early on that the anti-war movement wasn’t pacifist or anti-war as such, just anti-Vietnam, which to everyone but just those profiteers looked like a bad idea from the beginning. Contentment gave way to gnawing doubts, and Oglesby, by now involved in Students for a Democratic Society (SDS), found himself in South Vietnam—not bearing arms, but gathering information for the growing anti-war movement, learning from the opposition there, anticommunist and anti-American at once, that Vietnam needed two things: to be free and to be rich. Though Oglesby rose to prominence in the SDS and the anti-war movement, as he charts here, he did not adapt, in the end, to the rise of the New Left and its doctrinaire ways. Toward the end of the book, we find him facing a self-styled people’s tribunal, courtesy of the Weather Underground, for the crime of having “sat on a panel with the fascist pig Herman Kahn.” Oglesby’s elegy for the sensible opposition, replaced by a different version of SDS and its antiwar kin in which just about every second person was an undercover cop or informant, makes useful reading for activists today.

A worthy complement to Kirkpatrick Sale’s SDS, Daniel Ellsberg’s Secrets: A Memoir of Vietnam and the Pentagon Papers, David Maraniss’s They Marched Into Sunlight: War and Peace Vietnam and America October 1967 and other tales of the movement.

Pub Date: Feb. 1, 2008

ISBN: 978-1-4165-4736-5

Page Count: 352

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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