A first collection of 18 stories from novelist GÇbler (The Cure, 1994, not reviewed; etc.), writing from Northern Ireland, ranges near and far to provide gritty closeups of life’s less-distinguished moments, when desperation most overwhelms. The title piece presents an elderly ÇmigrÇ couple in London who are all but consumed by guilt at their only son’s suicide a few years earlier. Their inability to release their sadness by acknowledging a share of the blame is finally ended when the son’s widow stops by to tell them she’s remarrying. This is about as cheery as these stricken tales get. The opener, “The Chekhov Student,” is more typically lugubrious. It presents another elderly couple, unhappily married for decades, whose moment of enlightenment comes when the meek husband (—My name is Douglas Peter. . . I am extremely miserable. . . . I need to describe the troubles of my life—), having stood up at last to his spouse in one of their rows, concludes on reflection that he’s about to die. “Puerto Vallarta,”set in that Mexican resort, centers on a deranged, child-chomping Rottweiler, whose spectacular electrocution in a violent storm (as it gnaws on a pilfered chicken) is greeted with cheers by the neighbors. “Four Pesos,” which takes place in a Cuban coastal town, concerns a petty but disastrous betrayal by a Canadian tourist, on holiday to forget her just-failed marriage, who agrees to buy forbidden goods from the tourists-only store for the maid who cleans her room, then turns her in when the woman comes up a few pesos short in their exchange. The message here, “It’s a grim world, after all,” albeit precisely rendered, at the same time suffers from too narrow a focus on the bruised or broken marriage theme: tellingly, the one suggestion of a joyous union, between a journalist and the daughter of the landed gentry he’s interviewing (“A Short Story”), comes across as utterly fatuous.
Pub Date: June 1, 1998
ISBN: 0-7145-3035-2
Page Count: 256
Publisher: Marion Boyars
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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