A nice fit with the current craze for learned mysteries and for spooks of both the spying and the spectral kind.
Another delicious supernatural mystery from bestselling Catalan author Zafón (The Shadow of the Wind, 2005).
Mix Edgar Allan Poe with Jorge Luis Borges, intellectual mysterian Arturo Pérez-Reverte, and maybe add a dash of Stephen King, and you have some of the makings of Zafón’s sensibility. Fans of his earlier book will be pleased to find themselves on patches of familiar ground, including a revisit to that wonderful conceit, the Cemetery of Forgotten Books. Indeed, this is a prequel—but only of a kind: Familiar figures turn up at points, only to seem less than familiar as the narrative twists and turns. The none-too-heroic hero, David Martín, is an aspiring journalist who bucks hackwork to turn in a crowd-pleasing series for a tough boss. This leads him into an onerous contract with the usual crooked publishers and, indirectly, into a rivalry with his former mentor—all of which, naturally, entails love triangles and smoldering egos. The picture is complicated by the arrival of another curious publisher, Andreas Corelli, who offers David piles of pesetas to write, well, a book of a different sort, involving research that yields piles of corpses and occasions ample cliffhangers. Zafón has a fine talent for inserting unexpected hitches into a story line already resistant to graphing, whose outcome is definitely not seen from afar. The plot resolves in a rush, for the author finds himself with many a loose end to tie up, but once it sinks in, the result is more than satisfying. Zafón delivers a warning about the dangers of obsession, mixed with an obvious passion for literature and the printed word; his book is also a song of love for Barcelona with all its creaking floorboards and hidden subbasements.
A nice fit with the current craze for learned mysteries and for spooks of both the spying and the spectral kind.Pub Date: June 19, 2009
ISBN: 978-0-385-52870-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
SEEN & HEARD
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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