Memoirs by rock icons of the 1960s and ’70s are flying fast and furious these days. This is one of the best, lively and...
Understated but revealing memoir by the long-absent but still much-played pop star.
The daughter of a Simon & Schuster co-founder of demanding disposition (“my nose wasn’t the only way I disappointed him”), Simon grew up both privileged and beset by all manner of neuroses, traumas, and challenges. Not least of them, she would discover, were anxiety attacks and near-debilitating stage fright, which, in a particularly memorable moment here, an audience in Pittsburgh helps her work her way through: “Anyone who knew what a serious bundle of nerves I was should never have allowed me to leave home, much less perform,” she writes, good-natured as always. Another was a severe stutter that her boyfriend, the writer Nicholas Delbanco, would find charming but that led to her career as a singer, since she could sing her way through a sentence (or, in college, an Italian poem) unimpeded. Simon is perhaps best known for her tumultuous marriage to fellow singer James Taylor, and her account of their time together is both rueful and unsparing of either of them. “From the beginning,” she writes, “James and I were linked together as strongly as we were not just because of love, and music, but because we were both troubled people trying our best to pass as normal.” The best parts of the book are when the author describes how her songs came into being, while the few tedious ones are moments when names are dropped right and left: McCartney, Kristofferson, Nicholson, Dylan, Jagger. But, after all, she’s allowed: Dylan did adapt a song for her, and Jagger did help her sing through the song that began its life as “Ballad of a Vain Man,” wherein hangs a wonderful tale of “Narcissus and Goldmund desiring ourselves in each other.”
Memoirs by rock icons of the 1960s and ’70s are flying fast and furious these days. This is one of the best, lively and memorable. Check the new album that accompanies the book, too.Pub Date: Nov. 24, 2015
ISBN: 978-1-250-09589-3
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: Nov. 24, 2015
BOOK REVIEW
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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