Pro-book and -library quotes on the endpapers and multiple punny book titles in the illustrations add an extra touch of fun.

RETURN OF THE LIBRARY DRAGON

What could cause the Library Dragon to return (The Library Dragon, 1994)?

Miss Lotty, librarian at Sunrise Elementary School, was once a scaly, book-protecting, fire-breathing dragon, but years ago student Molly Brickmeyer helped melt the scales away by proving children can be trusted with books. Now, Miss Lotty is ready to retire. Though the kids will miss her, she’s sure her successor will carry on her library traditions. Unfortunately, when she arrives for her last day before retirement…Mr. Mike Krochip has replaced all her books with computers and e-readers. The kids profess their love of traditional books until they see the bells and whistles on the e-readers, triggering the return of the Library Dragon, who chomps through every piece of technology she sees until a young redhead saves the day (and the library) again. Deedy and White re-team to bring the Library Dragon into the 21st century. As an entertaining read that broaches the subject of technology’s place in the school media center, this deserves a place alongside its predecessor despite the fact that the resolution of the central conflict is about as realistic as a dragon in the library. White’s brightly colored, squashed and squiggly full-bleed illustrations match the tale for good goofiness.

Pro-book and -library quotes on the endpapers and multiple punny book titles in the illustrations add an extra touch of fun. (Picture book. 4-8)

Pub Date: Sept. 1, 2012

ISBN: 978-1-56145-621-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: June 27, 2012

Kirkus Reviews Issue: July 15, 2012

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Although the love comes shining through, the text often confuses in straining for patterned simplicity.

I WISH YOU MORE

A collection of parental wishes for a child.

It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.

Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)

Pub Date: April 1, 2015

ISBN: 978-1-4521-2699-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 16, 2015

Kirkus Reviews Issue: March 1, 2015

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Visually accomplished but marred by stereotypical cultural depictions.

HOME

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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