A suspenseful, page-turning paranormal romance.

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AWAKENING MACBETH

An academic at the University of Virginia confronts her father’s death and a supernatural threat in this novel by Amato (King Peso, 2016, etc.).

History professor Brodie Macbeth is planning her breakup with her wealthy, cold colleague Stanton Sloane when she receives a phone call from the Boston police. They tell her that her father and department chair, Wallace Macbeth, is dead after falling from a hotel window, an apparent suicide. Soon, she’s puzzling over unusual requests in her father’s will, which ask her to move into the house she grew up in, to keep her dad’s longtime car registration active, to read his entire library, and to deliver a painting to her aunt in Edinburgh, Scotland. When she meets attractive U.S. Marine veteran Joe Birnam on the international flight, it renews her resolve to end her relationship with Stanton. Meanwhile, Stanton is furious that she chose to keep her father’s house rather than donating it to the university in order to help his career. In Scotland, Brodie is troubled by nightmares as well as by faraway unrest in the history department, so her relationship with Joe initially stalls. Joe’s own insecurities concerning his war wounds contribute to the problem, but once they overcome these melodramatic conflicts, their romance flourishes. When Brodie discovers the shocking, supernatural cause of her nightmares, it imperils not only her relationship with Joe, but also both their lives. The author expertly interweaves historical facts, drawn from the books Brodie is reading, into the character’s bad dreams. Both Brodie and Joe are relatable characters; indeed, he’s so perfectly flawed that many readers may fall in love with him, too. For a brilliant academic, though, Brodie is slow to recognize the incredible coincidence of both her father and his publisher dying the same way in a very short time span. (That said, she is distracted by conniving fellow history professor Jack Hull and the jocular new department head, Donald Pedder, whose seamless entry into the department seems too good to be true.) Truly, the novel’s only flaws are the contrived conflicts that keep Brodie and Joe apart for too long.

A suspenseful, page-turning paranormal romance.

Pub Date: Dec. 9, 2016

ISBN: N/A

Page Count: 327

Publisher: CreateSpace

Review Posted Online: Feb. 17, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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