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MY LIFE WITH LINDSEY BUCKINGHAM AND FLEETWOOD MAC

Hardcore Mac fans will likely drool over Harris’s insider tidbits. Everyone else will believe that this could have been...

Everything you always wanted to know about Lindsey Buckingham, but wait a sec…how much do you really want to know about Lindsey Buckingham?

Casual followers of Rock ‘n’ Roll Hall of Famers Fleetwood Mac recognize them as a unit that evolved from blue-eyed blues purveyors to one of the most superb bands of their era. Hardcore Mac fans, on the other hand, know the quintet as a partner-swapping, drink-and-drug-fueled soap opera, albeit an astoundingly talented one. Guitarist/vocalist/composer Buckingham was arguably the most talented member of the group, as well as its most unstable. At once arrogant and insecure, he was lost in a haze of substance abuse and ego in 1977 when the band’s magnum opus, Rumours, made them international megastars. And a little blonde cherub named Carol Ann Harris came along for the whole ride as the enigmatic Buckingham’s lover. In her overly detailed confessional memoir, Harris delivers the story of the band’s tumultuous climb in a breathless, catty fashion. She seems to believe that every move her boyfriend made is of the utmost importance: Lindsey acted like a jerk when he met Kenny Rogers! Lindsey was mean to everybody during a recording session! Lindsey and I went to Hawaii and ate some coconut cream pie! This approach diminishes the impact of actually important events in the couple’s lives, i.e. the time Buckingham had a seizure, or his attempt to strangle the author. While he certainly played a key role in creating one of the most enduring albums of the 1970s, does Buckingham’s story merit a 400-page tome written by his unknown gal pal?

Hardcore Mac fans will likely drool over Harris’s insider tidbits. Everyone else will believe that this could have been pared down to a two-part article in Rolling Stone.

Pub Date: July 15, 2007

ISBN: 978-1-55652-660-2

Page Count: 400

Publisher: Chicago Review Press

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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