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Lancelot: Her Story

Provides a distinctly fresh, if slow-moving, take on Camelot.

In this retelling of the Arthurian legend, Lancelot becomes a woman disguised as a man, and Guinevere longs to rule the realm.

The tale of King Arthur has undergone many permutations over time, including feminist interpretations (for example, Marion Zimmer Bradley’s The Mists of Avalon). Here, Lancelot starts out as Anna, but at 10 years old, her life changes forever when she witnesses her mother’s rape and murder. To keep Anna safe, her father decides to raise her as a boy and train her in combat—preferable to women’s work anyway, Anna thinks. Lancelot grows up determined to fight effectively, protect the innocent, and let no one discover her secret. Guinevere, too, has some secrets. She would like to rule Camelot in her own right, and she’s attracted to women, not men—women like Queen Morgan, Arthur’s half sister, and Lancelot, whose disguise Guinevere sees through immediately, unlike the soldiers (“How had this woman ever managed to live concealed as a man? She must be daring beyond measure,” Guinevere speculates). Lancelot immediately impresses the queen (“There actually was a woman who had learned to fight! She marveled at the muscular arms that contrasted with the woman’s large, gentle brown eyes”). As readers learn the true stories behind Gawaine, Mordred, and similar figures, Arthur fights his famous battles with Lancelot by his side, and Lancelot and Guinevere begin a passionate affair. In her debut book, Douglas does more than introduce cross-dressing and same-sex romance to the Arthurian mythos; Lancelot’s unique status allows her to dissect the whole warrior mystique. She soon realizes that warfare is bloody, wasteful, and permanently horrifying for those suffering from post-traumatic stress disorder. Women’s work is dull; their roles and skirts are confining; but, Lancelot thinks, “was wearing breeches worth going through this horrible slaughter?” And despite sharing so much, Guinevere can’t understand Lancelot’s war experience. “How could you talk about it with a woman? No one could,” says a friend. Such contradictions add interest to a familiar story—but the telling is so slow and leisurely that sustaining interest becomes difficult. And, though the challenges of a medieval same-sex relationship invite sympathy, Douglas gives her lovers little in common beyond a physical attraction, a need for secrets, and a hatred of sewing. A second volume, Lancelot and Guinevere, is planned to continue their story.

Provides a distinctly fresh, if slow-moving, take on Camelot.

Pub Date: Nov. 4, 2015

ISBN: 978-0-9967722-0-4

Page Count: 636

Publisher: Hermione Books

Review Posted Online: Jan. 26, 2016

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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