Next book

Lancelot: Her Story

Provides a distinctly fresh, if slow-moving, take on Camelot.

In this retelling of the Arthurian legend, Lancelot becomes a woman disguised as a man, and Guinevere longs to rule the realm.

The tale of King Arthur has undergone many permutations over time, including feminist interpretations (for example, Marion Zimmer Bradley’s The Mists of Avalon). Here, Lancelot starts out as Anna, but at 10 years old, her life changes forever when she witnesses her mother’s rape and murder. To keep Anna safe, her father decides to raise her as a boy and train her in combat—preferable to women’s work anyway, Anna thinks. Lancelot grows up determined to fight effectively, protect the innocent, and let no one discover her secret. Guinevere, too, has some secrets. She would like to rule Camelot in her own right, and she’s attracted to women, not men—women like Queen Morgan, Arthur’s half sister, and Lancelot, whose disguise Guinevere sees through immediately, unlike the soldiers (“How had this woman ever managed to live concealed as a man? She must be daring beyond measure,” Guinevere speculates). Lancelot immediately impresses the queen (“There actually was a woman who had learned to fight! She marveled at the muscular arms that contrasted with the woman’s large, gentle brown eyes”). As readers learn the true stories behind Gawaine, Mordred, and similar figures, Arthur fights his famous battles with Lancelot by his side, and Lancelot and Guinevere begin a passionate affair. In her debut book, Douglas does more than introduce cross-dressing and same-sex romance to the Arthurian mythos; Lancelot’s unique status allows her to dissect the whole warrior mystique. She soon realizes that warfare is bloody, wasteful, and permanently horrifying for those suffering from post-traumatic stress disorder. Women’s work is dull; their roles and skirts are confining; but, Lancelot thinks, “was wearing breeches worth going through this horrible slaughter?” And despite sharing so much, Guinevere can’t understand Lancelot’s war experience. “How could you talk about it with a woman? No one could,” says a friend. Such contradictions add interest to a familiar story—but the telling is so slow and leisurely that sustaining interest becomes difficult. And, though the challenges of a medieval same-sex relationship invite sympathy, Douglas gives her lovers little in common beyond a physical attraction, a need for secrets, and a hatred of sewing. A second volume, Lancelot and Guinevere, is planned to continue their story.

Provides a distinctly fresh, if slow-moving, take on Camelot.

Pub Date: Nov. 4, 2015

ISBN: 978-0-9967722-0-4

Page Count: 636

Publisher: Hermione Books

Review Posted Online: Jan. 26, 2016

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview