Theatrical hokum, but written with an assurance and energy that will appeal to readers looking for comfort and romantic role...
High-octane melodrama from Edgarian (Rise the Euphrates, 1994) about a married couple whose brilliance, beauty and nobility are no safeguard against personal and societal woes during the first year of the Obama presidency.
Former PBS producer Lena Rusch has moved back to her hometown of San Francisco with her husband Charlie Pepper, a working-class Boston boy turned Harvard-trained surgeon/idealistic entrepreneur, and their precocious preschool son Theo. These almost saintly protagonists have been disgustingly happy together, but by the time the novel opens, shortly after the inauguration, life has already started to fall apart. Eleven months ago Lena gave birth to twin girls. One died immediately, and the survivor, Willa, has been in and out of the hospital ever since, her physical and developmental future still uncertain. Lena is exhausted, and she can’t count on much help from Charlie, who is jetting around the country desperately promoting the robotic surgery technique he has developed that could change medicine. Unfortunately start-up money has dried up. Then Cal Rusch, Lena’s extremely wealthy but estranged uncle, offers his backing. Lena is furious when she finds out, especially since Charlie doesn’t tell her himself. Instead, the news comes from Allesandro, Lena’s dashing former lover, who now works with Cal. Days after Cal and his socialite wife Ivy—think Nancy Reagan as a democrat—throw a million-dollar bash attended by Charlie and Lena, their lives fall apart too. Not only does Cal face mutiny in his company, both he and Ivy are struck down by fast-acting terminal cancers. Meanwhile, Charlie’s financial crisis keeps him too busy to pay adequate attention to his family. Feeling abandoned, Lena turns to Allesandro. Theo runs away and breaks his arm. Cal reveals a deep secret concerning Lena. Willa gets sick a few more times. Finally she learns to crawl, and her parents pull themselves together.
Theatrical hokum, but written with an assurance and energy that will appeal to readers looking for comfort and romantic role models during this difficult era.Pub Date: March 1, 2011
ISBN: 978-1-4391-9830-8
Page Count: 304
Publisher: Scribner
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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