The richly imagined setting will appeal to Tuscan sun worshippers, but the mystery suffers from lack of a credible murder...

THE SONNET LOVER

A literature professor unveils the grim secret of a Tuscan villa in Goodman’s florid fifth (The Ghost Orchid, 2006, etc.).

Rose Asher, a student in Hudson College’s summer program at villa La Civetta, fell in love with her professor, Bruno Brunelli. Much to her disillusionment, Bruno returned to his pregnant wife. Twenty years later, Rose, now teaching at Hudson, is recruited by Leo, a Hollywood producer, to consult on a movie to be shot on location at La Civetta about Ginevra de Laura, a 16th-century poetess rumored to have been Shakespeare’s Dark Lady. The screenwriter, Robin, falls to his death from a balcony at a college cocktail party. Or was he pushed? Eyewitnesses, including Rose’s current flame Mark (Hudson’s president) and colleague Gene, insist Robin committed suicide when Bruno’s son, exchange student Orlando, enraged by Robin’s theft of his script idea, lunged at him. What exactly plagiarism-prone Robin stole fluctuates throughout: Could it be Ginevra’s long lost poems? Or a letter validating Bruno’s hereditary claim to La Civetta, which threatens Hudson’s hopes of inheriting the villa from absinthe aficionado Cyril Graham? When the Hudson throng reconvenes at La Civetta, Bruno rekindles Rose’s passion, but intrigue soon trumps romance. Inexplicably fearing that bad publicity might hurt the film project, Leo bribes Gene, his shopaholic pillhead wife Mara and Mark to keep the balcony incident quiet. Meanwhile, Rose studies the villa’s pietro dure mosaic floors and their free-form motif of rose petals sprinkled in a path leading from the bridal suite. In the moonlight, these petals resemble drops of blood, symbolizing the defloration of Ginevra by the lord of La Civetta, who decorated the bridal suite with frescos illustrating the wages of thwarted love, including stabbing, disemboweling and…nevermind. Mara trips fatally over ruined steps in the rose garden, and acting student Zoe swallows poison. At the risk of alienating Bruno, Rose must stop Orlando.

The richly imagined setting will appeal to Tuscan sun worshippers, but the mystery suffers from lack of a credible murder motive.

Pub Date: June 12, 2007

ISBN: 0-345-47957-2

Page Count: 368

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2007

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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