The richly imagined setting will appeal to Tuscan sun worshippers, but the mystery suffers from lack of a credible murder...
A literature professor unveils the grim secret of a Tuscan villa in Goodman’s florid fifth (The Ghost Orchid, 2006, etc.).
Rose Asher, a student in Hudson College’s summer program at villa La Civetta, fell in love with her professor, Bruno Brunelli. Much to her disillusionment, Bruno returned to his pregnant wife. Twenty years later, Rose, now teaching at Hudson, is recruited by Leo, a Hollywood producer, to consult on a movie to be shot on location at La Civetta about Ginevra de Laura, a 16th-century poetess rumored to have been Shakespeare’s Dark Lady. The screenwriter, Robin, falls to his death from a balcony at a college cocktail party. Or was he pushed? Eyewitnesses, including Rose’s current flame Mark (Hudson’s president) and colleague Gene, insist Robin committed suicide when Bruno’s son, exchange student Orlando, enraged by Robin’s theft of his script idea, lunged at him. What exactly plagiarism-prone Robin stole fluctuates throughout: Could it be Ginevra’s long lost poems? Or a letter validating Bruno’s hereditary claim to La Civetta, which threatens Hudson’s hopes of inheriting the villa from absinthe aficionado Cyril Graham? When the Hudson throng reconvenes at La Civetta, Bruno rekindles Rose’s passion, but intrigue soon trumps romance. Inexplicably fearing that bad publicity might hurt the film project, Leo bribes Gene, his shopaholic pillhead wife Mara and Mark to keep the balcony incident quiet. Meanwhile, Rose studies the villa’s pietro dure mosaic floors and their free-form motif of rose petals sprinkled in a path leading from the bridal suite. In the moonlight, these petals resemble drops of blood, symbolizing the defloration of Ginevra by the lord of La Civetta, who decorated the bridal suite with frescos illustrating the wages of thwarted love, including stabbing, disemboweling and…nevermind. Mara trips fatally over ruined steps in the rose garden, and acting student Zoe swallows poison. At the risk of alienating Bruno, Rose must stop Orlando.
The richly imagined setting will appeal to Tuscan sun worshippers, but the mystery suffers from lack of a credible murder motive.Pub Date: June 12, 2007
ISBN: 0-345-47957-2
Page Count: 368
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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