A vivid, engrossing portrait of a family amid the turmoil of death and revelations.
In this debut novel, three estranged sisters must reconnect to receive their inheritance and uncover familial secrets.
Annie LeBlanc, the protagonist of Larivee’s story, is living a happily married existence in Berlin despite the encroaching catastrophe of climate change and a rush of pandemics. On an otherwise normal morning, she spots a ghost across the train platform. At first, she doesn’t recognize the apparition. But when she gets home, she looks inside an odd box that she recently received full of old photographs from her hometown in Maine, and realizes it was her grandmother. Annie soon finds out that her two sisters, Jeanne and Mary, received similar mysterious boxes, and that all three are being called back home to Maine. Their father—a reclusive, harsh, and successful novelist—has died, and they’re required to be present at the reading of his will. After an emotionally charged reunion, the sisters arrive in Maine to discover that their father was fabulously wealthy, and has left them his entire estate, so long as they agree to spend at least one month together in their childhood home. This would be strange enough, but it turns out that Mary is also seeing ghosts and Jeanne has been observing them since childhood. As the sisters come to grips with their newfound affluence, they discover that their parents’ ugly marriage was more complicated than it seemed, and that their father may have been their protector all along. While a surprise to the three women, these secrets are well known to a small sect of locals (including another celebrated author) who have their own motives regarding the sisters. Larivee’s novel is not short on pathos. Fortunately, she has skillfully drawn the relationships between the three women, each of whom readers will happily follow. Many of her details are rich with the authenticity of lived experience, such as the author’s rendering of Berlin in an era before cellphones, “where a counter on the phone let you know how much you were spending, click, click, click. The longer the distance, the faster the clicks.” Readers looking for groundbreaking prose may not find it here, but those in search of a deeply felt, highly plotted family narrative will be delighted.
A vivid, engrossing portrait of a family amid the turmoil of death and revelations.Pub Date: Jan. 14, 2025
ISBN: 9798992207316
Page Count: 264
Publisher: N/A
Review Posted Online: April 23, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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