Whimsical stories told by an anonymous caregiver to her aged charge that intertwine like the ribbon and the hedge of the title- -all to create a history of a person and a place in a novel that won a 1993 Western States Book Award. Small-town Milford is a ``happy-face/have-a-nice-day sort of place''—nothing terrible happens there, nobody's ever nasty, and tragedy and doubt are concepts as foreign as murder and mayhem. In this very white-bread environment, Orlock (The Goddess Letters, 1987; Inner Time, p. 919) uses a genteel Protestant sort of magic realism to give a literary gloss to the tales told on each visit to the frail and ailing Amzie Latham. Amzie lives in a house overgrown by an almost impenetrable hedge that has closed off the gate and is now reaching for the third floor. The stories, told chronologically, move from her childhood, when young Amzie went around asking neighbors to will the snow to keep falling, to a motor trip she took with retired husband Tom. In between, we twice meet old Mrs. Madden, who owned the house originally—once when she goes downtown in a futile search for free daffodils; and again when she takes a bus ride that becomes a gentle metaphorical journey to death. Meanwhile, Tom Latham, for whom ``the future was a real thing,'' has his own story, as do artist daughter Betsy, who specialized in making replicas of everything, including the town itself; an amnesiac former spy called ``Mr. Twelveclocks'' (he wears numerous watches); the local pharmacist, who falls in love with a fake Rembrandt portrait; a ghost who offers Amzie tea; and others who all experience something pleasantly off-kilter. Nice stories, nicely told, about a very nice place with nice people who need a bit of a reality check to bring them fully to life.
Pub Date: Oct. 15, 1993
ISBN: 0-913089-48-6
Page Count: 312
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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