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LARRY'S PARTY

A meticulous coming-of-(middle)-age novel by Pulitzer Prize- winner Shields (The Stone Diaries, 1993, etc.), who seems to have mastered the art of understatement without falling into the bottomless pit of obscurity. Larry Weller, the son of English immigrants, is brought to Winnipeg while still in his mother's womb. He grows up to become a floral arranger and landscape gardener. As the story opens in 1977, Larry is 26, living at home and dating Dorrie, whom he eventually marries. The book progresses episodically across the next 20 years, each chapter self-contained enough to work as an independent story but connected to the ones that precede and follow it by the narrative of Larry's life, which runs through them like the string holding together a necklace of pearls. Thus, while the focus of each chapter is minuscule—a tweed jacket picked up by mistake in a restaurant, for example, or a trip to the airport to meet a small child—the cumulative effect is one of exceptional clarity and depth of emotion, since the larger environment that surrounds ordinary daily routines becomes better defined and more obvious as the story progresses. The unhappy circumstances that led to the Wellers' emigration, the failure of Larry's marriage to Dorrie, the trials of his second marriage, and the development of his career as a landscaper are all described through flashback. Each part is carefully related to the central metaphor of the garden mazes that Larry becomes expert at designing. The climactic chapter, in which the characters of Larry's labyrinthine and exceedingly complicated life come together at a party, is a blatantly contrived device—but successful in spite of its transparency. Very fine and real: Shields writes with the rare self- assurance of one who from the first knows where her characters are going and what will become of them once they arrive, and—rarer still—manages not to bend them out of shape along the way. (Book- of-the-Month Club selection; author tour)

Pub Date: Sept. 1, 1997

ISBN: 0-670-87392-6

Page Count: 306

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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