LARRY'S PARTY

A meticulous coming-of-(middle)-age novel by Pulitzer Prize- winner Shields (The Stone Diaries, 1993, etc.), who seems to have mastered the art of understatement without falling into the bottomless pit of obscurity. Larry Weller, the son of English immigrants, is brought to Winnipeg while still in his mother's womb. He grows up to become a floral arranger and landscape gardener. As the story opens in 1977, Larry is 26, living at home and dating Dorrie, whom he eventually marries. The book progresses episodically across the next 20 years, each chapter self-contained enough to work as an independent story but connected to the ones that precede and follow it by the narrative of Larry's life, which runs through them like the string holding together a necklace of pearls. Thus, while the focus of each chapter is minuscule—a tweed jacket picked up by mistake in a restaurant, for example, or a trip to the airport to meet a small child—the cumulative effect is one of exceptional clarity and depth of emotion, since the larger environment that surrounds ordinary daily routines becomes better defined and more obvious as the story progresses. The unhappy circumstances that led to the Wellers' emigration, the failure of Larry's marriage to Dorrie, the trials of his second marriage, and the development of his career as a landscaper are all described through flashback. Each part is carefully related to the central metaphor of the garden mazes that Larry becomes expert at designing. The climactic chapter, in which the characters of Larry's labyrinthine and exceedingly complicated life come together at a party, is a blatantly contrived device—but successful in spite of its transparency. Very fine and real: Shields writes with the rare self- assurance of one who from the first knows where her characters are going and what will become of them once they arrive, and—rarer still—manages not to bend them out of shape along the way. (Book- of-the-Month Club selection; author tour)

Pub Date: Sept. 1, 1997

ISBN: 0-670-87392-6

Page Count: 306

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1997

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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