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LARRY'S PARTY

A meticulous coming-of-(middle)-age novel by Pulitzer Prize- winner Shields (The Stone Diaries, 1993, etc.), who seems to have mastered the art of understatement without falling into the bottomless pit of obscurity. Larry Weller, the son of English immigrants, is brought to Winnipeg while still in his mother's womb. He grows up to become a floral arranger and landscape gardener. As the story opens in 1977, Larry is 26, living at home and dating Dorrie, whom he eventually marries. The book progresses episodically across the next 20 years, each chapter self-contained enough to work as an independent story but connected to the ones that precede and follow it by the narrative of Larry's life, which runs through them like the string holding together a necklace of pearls. Thus, while the focus of each chapter is minuscule—a tweed jacket picked up by mistake in a restaurant, for example, or a trip to the airport to meet a small child—the cumulative effect is one of exceptional clarity and depth of emotion, since the larger environment that surrounds ordinary daily routines becomes better defined and more obvious as the story progresses. The unhappy circumstances that led to the Wellers' emigration, the failure of Larry's marriage to Dorrie, the trials of his second marriage, and the development of his career as a landscaper are all described through flashback. Each part is carefully related to the central metaphor of the garden mazes that Larry becomes expert at designing. The climactic chapter, in which the characters of Larry's labyrinthine and exceedingly complicated life come together at a party, is a blatantly contrived device—but successful in spite of its transparency. Very fine and real: Shields writes with the rare self- assurance of one who from the first knows where her characters are going and what will become of them once they arrive, and—rarer still—manages not to bend them out of shape along the way. (Book- of-the-Month Club selection; author tour)

Pub Date: Sept. 1, 1997

ISBN: 0-670-87392-6

Page Count: 306

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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