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ALICE ADAMS

PORTRAIT OF A WRITER

Pervasive, deep research informs this inspiring story of a writer who demonstrably earned such a sturdy, illuminating...

A thorough and often surprising life of the celebrated author of short stories and novels.

Sklenicka, whose earlier biography (Raymond Carver: A Writer’s Life, 2009) earned high praise, returns with an intimate, detailed life of Adams (1926-1999), who did not begin publishing regularly until the mid-1960s. But when she did, she received recognition quickly. By the time she died of heart failure, she had established herself as a gifted, perceptive, and popular writer, publishing stories often in the New Yorker and books with Knopf. As Sklenicka relates, she enjoyed some hefty paydays. The author focuses mostly on a couple areas of Adams’ life: her writing and her active love life. Frequently, Sklenicka points out how deeply Adams drew from her own life to inspire her fiction; she wrote about settings and people that she knew. As Sklenicka reports, frequently, Adams was an attractive woman who displayed a great sense of sexual freedom. One brief marriage was followed by a lengthy cohabitation with another man (it didn’t end well), and once she became financially secure, she enjoyed travel, fine food, and a nice house in San Francisco. Sklenicka also charts Adams’ acceptance of the women’s liberation movement and writes perceptively about her relationship with her gay son. The author doesn’t provide much information about Adams’ work routines, but there is a deep undercurrent of admiration that sometimes bubbles to the surface. “Alice Adams lived for love and for stories,” writes Sklenicka. “Her courage and vulnerability, tenderness and tenacity allowed her to break the strictures of her upbringing and transform her intense emotional sensibility into enduring short stories and novels that illuminate women’s lives in the twentieth century.” Near the end, Sklenicka herself appears in a startling tale about Adams’ ashes.

Pervasive, deep research informs this inspiring story of a writer who demonstrably earned such a sturdy, illuminating biography.

Pub Date: Dec. 3, 2019

ISBN: 978-1-4516-2131-0

Page Count: 624

Publisher: Scribner

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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