WE’RE PAINTING

This exceptional addition to the Harper Growing Tree series is geared specifically towards the preschool set, encouraging their fledgling creativity. In a beguiling combination of instruction and celebration, Snyder focuses on both the technical and imaginative aspects of painting. Amid the more mundane references to rinsing out the paintbrush and cleaning up the inevitable messes are poetic passages describing the art: “Make a stroke. Swirl another. Gentle touch. Glide the brush.” Snyder’s text, while concise, sets reader’s imaginations free; her spare words deftly convey the limitless possibilities inherent in the act of creation. Within the pages, readers will garner a bit of knowledge concerning mixing colors and using their newfound knowledge of shapes to incorporate into their own pictures. Jahn-Clough’s (A Big Bed for Jed, p. 46, etc.) joyful illustrations are a prismatic blend of colors and images. Full-page spreads shift their focus from depictions of two children swabbing on paint to a super close-up of their brush- and artwork. The exuberant text and high-spirited illustrations are bound to inspire would-be Picassos and Cassatts to pick up their brushes and express themselves. (Picture book. 3-6)

Pub Date: May 1, 2002

ISBN: 0-694-01445-1

Page Count: 24

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2002

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Should have readers and caregivers singing, clapping, and bouncing along.

THE BUTTON BOOK

This picture book plays on the universal temptation to push buttons.

A squirrel—presumably the first-person narrator of the book—finds a large, round, red button and wonders what would happen when it’s pressed. The squirrel presses the button, and a large rubber horn pops up and honks: “Beep!” The sound attracts a bird and a dog, and together the three come across a triangular orange button. “What does the orange button do?” they wonder, and they discover that it causes them all to clap. As the picture book progresses, other animals—including an elephant, a tortoise, a deer, and a small dinosaur—join the trio, and together they come across and press a giant hexagonal blue button, a round green button, a yellow button (literally—it looks as though it’s come off a coat), a square pink button, and a small purple button that can only be reached by climbing a ladder. Each of the buttons makes the friends do something different, from singing and bouncing to blowing raspberries. British writer Nicholls’ simple, silly narrative and Woollvin’s colorfully childlike illustrations result in a fun picture book that incorporates shapes and colors and that can be used at home and in libraries and classrooms. Pages are dominated by gray with accents—including the animals’ fur and feathers—changing to match the color of each button.

Should have readers and caregivers singing, clapping, and bouncing along. (Picture book. 3-6)

Pub Date: Jan. 14, 2020

ISBN: 978-0-7352-6715-2

Page Count: 32

Publisher: Tundra

Review Posted Online: Oct. 23, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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