A heartwarmingly compassionate memoir of self-discovery among cherished animals in “a scrap of Virginia countryside.”
A former international lawyer tells the story of how she took over a “ratty little farm” in Virginia and became an improbable shepherdess.
When George’s 85-year-old father visited the 27-acre farm she had bought on a whim, he told her that she lived in “poetry country” and that her land needed sheep. Together they went to a local breeder’s home where George eventually purchased 13 lambs she intended to keep as pets. The sheep were Karakuls, a Central Asian breed known for producing wool that carpet and felt makers prized for its beauty and toughness. The author named each sheep after favorite composers like Chopin, Bach, and Mozart, and from the start, she marveled at the personality differences that made each sheep unique. Over the next 13 years, George watched her life transform dramatically. Her days were centered on simpler country rhythms that included shearing, training, and feeding her Karakuls. The sheep became her constant companions on daily walks around her property and attended the occasional gatherings she held at her home. They even befriended her father, who read his favorite literary works among them. Indeed, the link between “The Lambs” and the elder George was so strong that the flock came to symbolize the author’s “most valuable inheritance, the sound of my father's voice repeating the words and images of his dearly loved poetry.” The Karakuls also inspired George to pick up “the thread of my literary life” that she had dropped in pursuit of a successful law career. Illustrated throughout with lovingly captioned photos, the book is not just a testament to the power of human-animal connections. It is also a tender, joyfully eccentric recollection of how a woman rediscovered what was most important to her through a singular relationship with an unforgettable flock of sheep.
A heartwarmingly compassionate memoir of self-discovery among cherished animals in “a scrap of Virginia countryside.”Pub Date: April 24, 2018
ISBN: 978-1-250-11352-8
Page Count: 288
Publisher: Dunne/St. Martin's
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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