Occasionally formulaic but jam-packed with elements that will give readers the heebie-jeebies.
In Lunden’s horror debut, a rash of strange events in a small town surrounds a gingerbread house and the creepy old woman residing there.
The accident that Bulwark sheriff Clay Finnes is investigating seems fairly straightforward: a car stuck in the middle of a pond. But the vehicle’s elderly passengers claim that a witch took their children and is holding them hostage in the Bavmorda Gingerbread House on Linden Lane. Clay has never heard of that street, but dispatcher Dolly Summars knows where it is—and she implores the sheriff to forget all about it. He finds the house and its occupant, an old woman with black eyes and tangled hair, but no captives. (Later, people in town tell him that the house he visited had burned down years ago.) There have been other strange incidents in Bulwark, though, including numerous wolf sightings, and things only escalate with the discovery of a mutilated body. Clay also learns of a break-in at his wife Jenna’s place on Timber Lane. Their marriage had fallen apart a year before, after the abduction of their daughter, Claire; but now, someone has taken some of Claire’s things, and Jenna thinks that the girl could still be alive. Clay is sure that there’s something evil out there stealing children, and he’s committed to saving his missing daughter. Although Lunden’s fairy-tale-infused horror outing is relatively short, it’s rich in melodrama. Clay’s tireless love for Jenna, for example, is threatened by Bulwark Advance reporter Dayna Dalton—whose unrequited affection for the sheriff aided in the couple’s separation—and nurse Jenna’s muscled co-worker, Dr. Peter Kent. There are conventionally spooky things happening at Linden Lane: a relentless wind, a screeching gate. But other details are inspired, such as the Georgia clay that coats everything in crimson, akin to the surface of Mars—or, simply, blood. Much of the book thrives on suspense, with the sheriff hearing distant howls and witnessing the aftermath of violence. The final act is more overtly exciting, although a bit predictable, and Lunden gives readers a choice between two endings.
Occasionally formulaic but jam-packed with elements that will give readers the heebie-jeebies.Pub Date: N/A
ISBN: N/A
Page Count: 51
Publisher: CreateSpace
Review Posted Online: Sept. 27, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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