by Carole Simpson ‧ RELEASE DATE: Nov. 5, 2010
An honest, engaging self-portrait of a woman who forever changed racial and gender dynamics in media.
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A journalist’s trailblazing rise and swift fall in TV broadcasting.
In the prologue, Simpson introduces herself as an everywoman filing through a dehumanizing TSA security line until a starstruck security screener recognizes her and asks why she’s no longer on ABC’s Word News Tonight Sunday. That moment posits the central question of the book and turns what otherwise would have been just an autobiography into an autobiographical whodunit. In chapters more thematic than chronological—a structure that occasionally disorients the reader by jumping back and forth in time—Simpson details her family’s mixed racial origins, her exposure to fierce racism in the Jim Crow South and her slow climb up the rungs of journalistic success, from a radio broadcaster in Chicago to the coveted anchor position on World News Tonight Sunday, glass ceilings raining down upon her throughout the journey. In Chicago, she was the first woman to broadcast radio news and the first black woman to anchor a local newscast. She was also the first black woman to become a national network TV correspondent and anchor a national network newscast. And, in 1992, she was the first minority or woman to moderate a presidential debate. In her more than 40 years on the air, she covered a myriad of events, from Martin Luther King Jr.’s protests against housing segregation and the infamous 1968 Democratic National Convention in Chicago to strife in Africa and the vice presidency of George H.W. Bush. However, the book is most intriguing in the detailed accounts of the vicious sexual harassment and racism she faced from white men, and how she steadfastly worked to improve the career prospects of women and minorities. She is to be lauded for placing candor before feminist and racial dogma, especially when she concludes who was ultimately responsible for encouraging ABC executives to remove her from the air in the early 2000s.
An honest, engaging self-portrait of a woman who forever changed racial and gender dynamics in media.Pub Date: Nov. 5, 2010
ISBN: 978-1452062365
Page Count: 300
Publisher: AuthorHouse
Review Posted Online: Aug. 3, 2011
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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