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POSTCARDS FROM COOKIE

A MEMOIR OF MOTHERHOOD, MIRACLES, AND A WHOLE LOT OF MAIL

A captivating memoir about a daughter’s reunion with her birth mother and the intricate consequences it had on both their...

Journalist Clarke’s story of her discovery that her biological mother was Carol “Cookie” Cole, the daughter of Nat King Cole, a revelation that caused her to build a life-altering relationship with her through the exchange of letters, phone calls and postcards.

The author is an award-winning journalist and the happy mother of two. She is also the adopted daughter of two parents who gave her a wonderful life. When she visited the agency that handled her adoption, she only sought information on her genetic heritage, which she required for medical reasons. The details she received from the agency, however, as well as a series of remarkable coincidences, helped her realize that her birth mother was Cookie Cole, the daughter of the legendary musician. The author’s discovery forced her to acknowledge a deep-rooted curiosity she had about her birth mother since childhood. “All adoptees are curious about their beginnings,” she writes. “Anyone who claims otherwise (as I have many times) is lying.” So she reached out to Cookie in search of answers to the questions she had convinced herself, up until that point, that she could ignore. Clarke’s prose is elegant, crisp and deeply personal, and her narration is gripping, even after she reconnects with her biological mother and uncovers the truth about her own origins. Happy endings in life are seldom conclusions, and that Clarke gets one only complicated her story more. “Whose life is this anyway?” writes Cookie in one of her letters to her daughter, a fraught question coming from a woman who created life, only to have life force her to give her child away. Clarke effectively explores her crisis of identity by peeling back layer after layer of a complex, riveting personal history.

A captivating memoir about a daughter’s reunion with her birth mother and the intricate consequences it had on both their lives.

Pub Date: April 15, 2014

ISBN: 978-0-06-210317-8

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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