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A BODY MADE OF GLASS

A CULTURAL HISTORY OF HYPOCHONDRIA

Poetic and personal, this book reveals a condition that is debilitating and often hidden.

An up-to-date study of hypochondria, which has been around for centuries but has become more widespread in the digital age.

In her adolescent years, Crampton, author of The Way to the Sea, had a serious encounter with blood cancer. After grueling treatment, she recovered, but the experience left her with hypochondria, the elusive and exhausting feeling that every minor pain or change in her body was a sign of approaching disaster. This book is her attempt to understand the condition. As she embarked on her research, the author discovered that the condition is surprisingly common. At the most intense end of the scale are people whose lives have become severely limited, to the point that they will hardly leave their rooms for fear of contagion. At another level are those who will try any potion or procedure to cure an ailment that is entirely imaginary. Some hypochondriacs will begin to believe they have an illness because they have read about it or seen a documentary on it. The internet has been a major contributor to this phenomenon, writes the author. A “cyberchondriac,” she notes, “gets trapped in a never-ending spiral of increasingly doom-laden internet searches.” The rise of social media has seen the proliferation of so-called wellness specialists, who provide a remedy for whatever it is a person with a credit card thinks they have. As Crampton shows, there are serious attempts to treat hypochondria underway, and methods related to treatment for PTSD show promise. However, a real understanding of the condition is a long way off. As for herself, Crampton believes that writing the book provided valuable perspective and insight into her own struggles. “I am ill and I am well,” she concludes. “I am still here.”

Poetic and personal, this book reveals a condition that is debilitating and often hidden.

Pub Date: April 23, 2024

ISBN: 9780063273900

Page Count: 336

Publisher: Ecco/HarperCollins

Review Posted Online: Jan. 4, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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