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A FAMILY OF POEMS

MY FAVORITE POETRY FOR CHILDREN

Kennedy’s focus here is on sharing the classic poets with children, and she emphasizes the closeness and warmth that comes from using poems to spark memories of times spent together as a family. Divided into sections, the poems focus on the self, the silly, animals, seasons, the seashore, adventure and bedtime. Truly a collection that will grow with a child, some can be shared with the very young, others are better saved for later years. She includes a wide variety of styles and sources, voices old and new. Muth’s luminous full-bleed watercolors suit the poems perfectly, evoking emotions and sometimes deepening understanding. The poems on facing pages for the most part tie in nicely together, allowing the illustrations to flow across the divide. Foreign poems are included in their original languages—unfortunately not identified. While the actual collection is only so-so, there is excellence in illustration, Kennedy’s introductions and as a way of showing children that all poetry need not rhyme and be funny. (index of first lines) (Poetry. 4+)

Pub Date: Sept. 1, 2005

ISBN: 0-7868-5111-2

Page Count: 144

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2005

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WOMBAT WAITING

Affecting and hopeful.

A stray dog finds her destiny amid the chaos of a Southern California wildfire.

Wombat is a small dog with stubby legs and “silly ears / that look like furry cookies”—almost impossibly cute in Bricking’s occasional pencil-style vignettes. She’s mastered the art of survival, so when a mysterious internal voice prods her to go toward the fire, she resists. “The wrong way is the right way. / The right way is the wrong way,” the voice insists. When she tells fellow stray Silas about it, he tells Wombat she’s a “destiny dog,” bound to “find their person / before their person / can find them.” Convinced, she decides to follow the mysterious instructions. Meanwhile, Henry, a boy who’s leery of dogs, loves the bats at the wildlife rehabilitation center where Mama Ro, a veterinarian, works; his Mama J is a librarian. Henry and Barnabas, a fruit bat at the center, are both uprooted by the fire, and their paths converge with Wombat’s at an emergency shelter. The third-person perspective shifts from character to character in clusters of free-verse poems that fully immerse readers in each one’s experiences in turn. This extra-concentrated delivery of Applegate’s typically spare writing proves effective, balancing terror and sadness with heart and humor. Henry has light brown skin, Mama Ro has curly black hair and brown skin, and Mama J presents white.

Affecting and hopeful. (Verse fiction. 8-12)

Pub Date: May 5, 2026

ISBN: 9780063221178

Page Count: 304

Publisher: Storytide/HarperCollins

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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ON THE HORIZON

A beautiful, powerful reflection on a tragic history.

In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima. 

When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.

A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)

Pub Date: April 7, 2020

ISBN: 978-0-358-12940-0

Page Count: 80

Publisher: HMH Books

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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