One character’s coma is only the first surprise in this satisfying story of middle-aged love.
What if Snow White woke up and decided she didn’t much like Prince Charming?
Something like that happens in Leavitt's latest novel. New Yorkers Simon and Stella have been a couple since the heady days when his rock band was almost famous. Now in their 40s, he’s still chasing musical fame while Stella, a skilled and well-regarded nurse, supports them both and generally is the adult in the relationship. The night before they’re supposed to leave for a gig in California that might be his big break, they have a nasty argument, drink a lot of wine, and, despite Stella’s aversion to drug abuse, share an unidentified pill. In the morning, Simon wakes up and Stella doesn’t. Her coma lasts for several months. The middle section of the book alternates among Simon’s anguished guilt and devotion to caring for her, Stella’s hallucinatory experiences while comatose, and the reactions of Stella’s best friend, Libby, who is one of the doctors treating her. Libby had never liked Simon but is impressed with his dedication; unlucky in love herself, she’s drawn to him. Sparks fly, but their loyalty to Stella counters the attraction. Then the patient awakes, and, as can happen after comas, her personality is quite different. The old Stella was cautious and always played by the rules; the new one is restless, reckless, and emotionally distant. The only thing that calms her is art. Compulsive doodling turns into startlingly accomplished drawings—a talent she had never displayed before. People begin to commission her probing portraits; in the meantime, Simon, kicked out of his band because he stayed at Stella’s bedside, is a Lyft driver. And Libby keeps swearing she won’t see Simon anymore and then opening the door when he buzzes. Leavitt expands the characters with backstories that have a common thread: Stella, Simon, and Libby all felt severely rejected by their parents in childhood. The upheavals in their lives caused by Stella’s coma and its aftermath lead to the exposures of old secrets, healed wounds, and surprising futures.
One character’s coma is only the first surprise in this satisfying story of middle-aged love.Pub Date: Aug. 4, 2020
ISBN: 978-1-61620-779-3
Page Count: 288
Publisher: Algonquin
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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