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THE DARKENING LEAF

Once again, British writer Stickland (The Standing Hills, 1986, not reviewed) tackles 19th-century Dorset and spunky heroines—in this cookie-cutter (but reasonably likable) tale of love lost and love regained. It's 1847, and beautiful, eccentric Philobeth Alleyn is riding under cover of darkness with her lover Frederick North, a well-to- do land owner, when they stumble upon a shipwreck with—apparently- -no survivors. The body of a naked woman has washed ashore with the wreckage; thinking her dead, Philobeth and Frederick transport her to Frederick's grandmother's home—but when the carriage rolls over a hump in the road, the woman becomes consciousand tells them that her name is Ellen Farebrother. To spite Philobeth, who as an artist and the daughter of an artist is seen as a bohemian and no proper match for her grandson, the venomous old Mrs. North takes the beautiful Ellen under her wing and conspires with her to steal Frederick from Philobeth. Against his better judgment, Frederick is too weak-willed to turn from Ellen's superficial charms, so Philobeth's friend Mahala Graham (wealthy, and dying of tuberculosis) arranges to marry Carmody, the village doctor who loves her, with the intention of leaving Carmody her fortune so that he can marry Philobeth and support her career after Mahala is dead. Finally, after much soul-searching, a vicious murder, some harsh truths, and a terrible separation, Frederick comes to his senses and makes his inevitable decision; in the end, even Carmody sees light at the end of the tunnel. A surprise-free zone with all the twists and turns of a yardstick, but Philobeth and some of the secondary characters (Philobeth's offbeat father, for example, and the wily Mahala) lend a refreshing, original note.

Pub Date: July 12, 1996

ISBN: 0-312-14308-7

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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