Another blast of proletarian rage from Chute, but lacking, regrettably, the solid characterizations that anchored Merry Men (1994) and The Beans of Egypt, Maine (1985). Generally considered a left-wing writer, Chute here declares herself “no-wing” [Acknowledgments] as she depicts the odyssey of a putative rightist from Maine whose heroes are Latin American guerrillas. Robert Drummond has assassinated US Senator Kip Davies in a Boston hotel; four fellow members of the Snow Men militia are dead, but the badly wounded Robert finds his way to the Beacon Hill home of another senator, liberal Jerry Creighton. He’s sheltered there by the Kristy Creighton, the senator’s daughter, and her mother, Connie, both of whom find the militia man as sexually irresistible as he is politically disturbing. The plot (never Chute’s strong point) consists basically of Robert’s convalescence over a month or so as he enlightens the privileged Creighton women about the ugly realities of American life and as the FBI closes in. In the past, Chute’s fiery denunciations of corporate capitalism’s impact on poor people have worked in tandem with strong fictional portraits. Here, the upper-middle-class Kristy and Connie are embarrassing clichÇs with insufficiently delineated inner lives; the spiritual crisis that has brought Kristy home from her job as chair of a women’s studies program, for example, is alluded to but never explained. Robert is a fuller character, and Chute commendably refuses to clean up his messy opinions (dead-on observations about the way politicians of all parties serve big business mixed with creepy diatribes against “this fuckin” socialist setup” and “arrogant bitch broad” feminists). But the novel’s politics are as incoherent as Drummond’s—making for an aesthetic and, arguably, a moral failure. Chute’s blunt class-consciousness and energetic prose are as bracing as ever. Let’s hope that the longer work-in-progress she refers to in the Author’s Note (—the ‘true story” of the ‘Militia Movement” in New England as I have experienced it—) makes better use of them.
Pub Date: May 1, 1999
ISBN: 0-15-100390-4
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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