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BLIZZARD CLEARING

A wholesome tale of reconnecting with family and finding true love.

In this novel, a young woman discovers her grandfather’s past and wrestles with a few secrets of her own.

One snowy day in Chicago, 78-year-old Jerome James slips on ice, hits his head, and lands in the emergency room. Accompanying him is his granddaughter Marci, who’s abashed to discover that she doesn’t know anything about her Grandpappy—not what medicines he takes, what ailments he might have, or certainly anything about his childhood. A historic blizzard confines Marci and Jerome to the hospital for the foreseeable future, and she sees her chance: she asks him to tell her about how he grew up, and he obliges. His parents were immigrants, he says, slowly learning English and socking money away when a tragic series of events leaves his father dead and the family penniless. Desperate, his mother turns to prostitution to get by, and little Jerome experiences hardship and violence far beyond his years. Between visits to Jerome, Marci strikes up a friendship with an attractive doctor named Chad Good, whom she keeps running into around the hospital. They bond over their mutual love of children (Chad is a pediatrician; Marci is an aspiring elementary school teacher), and she starts falling for him. But she’s hiding a secret that tethers her to her narcissistic surfer ex-boyfriend, Lucas, and Chad’s previous fling, a brash woman named Joy, threatens to interfere. Will Marci sort out her feelings, and will Jerome ever make it out of the hospital? Healy (Adapt, 2015, etc.) manages to make the hospital cozy rather than suffocating as the book’s predominant setting, and the rare blizzard, beautiful and austere, sets the mood for life-changing events to happen. The author combines her story’s elements gracefully: “She marveled at the lush green, hearty plants separated from the harsh winter by a window, with nothing in common except a glass wall. It is just like my great grandmother and me, she thought. So different and separated by time and experiences.” But Marci and Chad’s burgeoning attraction—and its complicating factors—can get a bit maudlin: the plot features compromising photos that aren’t what they look like and a surprise marriage proposal. Joy is especially one-dimensional, a woman who screeches and wears “a skintight, low-cut shirt”—the very picture of immoral, undesirable womanhood.

A wholesome tale of reconnecting with family and finding true love.

Pub Date: May 16, 2017

ISBN: N/A

Page Count: 198

Publisher: Clean Reads

Review Posted Online: Sept. 21, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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