The satirical swipes at Tinseltown are missing here, apart from that funeral scene. The rest is all Suzanne, and she’s just...
Novelist/actress/screenwriter Fisher offers a sequel to Postcards From the Edge (1987), with many of the same elements: another head-trip with a lost Hollywood soul—and drugs, drugs, drugs.
Since we last saw her, Suzanne Vale had married and had a child. Studio exec Leland was sweet, caring and great in bed; still, he left her three years ago . . . for a guy. So darling daughter Honey, now six, has become Suzanne’s focus, except when Suzanne is gigging as a cable talk-show hostess or sending little Honey off to Leland. But why must Leland have a much better TV, and regular folks for parents, in contrast to her own flaky showbiz mom? And how has she managed so long without sex? The drought ends with a successful play for Dean Bradbury (“Hollywood’s original bad boy”) at a producer’s funeral. The pair’s one-night stand is followed by a longer run with Thor, a towering blond who brings out the slut in Suzanne, which also means giving up the meds she needs for her bipolar whatever, which is when all hell breaks loose. Suzanne destroys her patio in the middle of the night, has her hair cut off, gets a tattoo, and drives to Tijuana with the tattoo artist. Okay, he’s an ex-con, but he’s loaded with OxyContins. Meanwhile, never a thought for Honey. Rescued by best friend Craig, Suzanne messes up her new meds and winds up in the nuthouse, not such a great change from the world outside: people continue to loom up out of the drug-spangled mists, and Suzanne’s just-kidding wordplay never stops, though receiving a secret message from an old movie on TV is a new low point. Eventually, Suzanne will be released into a happy ending: a kinda sorta reunion with Leland.
The satirical swipes at Tinseltown are missing here, apart from that funeral scene. The rest is all Suzanne, and she’s just not interesting enough to sustain the attention.Pub Date: Jan. 12, 2004
ISBN: 0-684-80913-3
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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