A major accomplishment.
Several New Yorkers struggle to put down their phones in this debut comic novel.
There’s an abundance of characters in Bays’ novel, and almost none of them know what they want. There’s Alice, a 28-year-old nanny who thinks she wants to go to medical school but takes forever to register for the MCAT. There’s her new roommate, Roxy, a 34-year-old Manic Pixie flibbertigibbet with a City Hall job whose desires are even more amorphous: “Roxy wanted what she wanted to want, nothing more, nothing less.” Alice’s brother, Bill, is at loose ends after leaving MeWantThat, the shopping app he founded; he takes a sudden interest in Buddhism, which is met with skepticism by his wife, Pitterpat, who “made an activity of wanting” but also seems to realize that the tony real estate she covets won’t fill the emptiness inside her. The lives of the four characters (and several more, who move in and out of the novel) are all thrown into disarray when Roxy becomes embroiled in a scandal that transfixes the internet, Pitterpat gets diagnosed with Crohn’s disease, and Bill impulsively makes a sudden, drastic life change. Throughout the novel, the characters wrestle with their addictions to their smartphones and social media: “Something’s happened to my brain,” Alice laments. “I don’t know what it is. But I think it has to do with this phone I can’t stop looking at every thirty fucking seconds.” Bays was a co-creator of the sitcom How I Met Your Mother, so it’s no surprise his novel is highly comic—sometimes darkly so. (The characters watch a reality show called Love on the Ugly Side, one episode of which forces the contestants to watch “deepfake videos of their parents having sex in order to win a couple’s massage.”) What is surprising is how beautifully written it is and how deftly the author balances humor and heartbreak. Bays writes with real compassion that never turns sentimental, and the structure of the book, told from the point of view of a mysterious omniscient narrator, is ingenious. This is a rare thing: an original, intelligent novel that’s not just a perfect summer beach read, but one that deserves serious awards consideration as well. Put down your phone and pick it up.
A major accomplishment.Pub Date: June 7, 2022
ISBN: 978-0-593-18676-3
Page Count: 480
Publisher: Dutton
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
PERSPECTIVES
PERSPECTIVES
Readers won’t want to leave behind the imagined world of pain and beauty that McConaghy has conjured.
The reality of climate change serves as the pervasive context for this terrific thriller set on a remote island between Australia and Antarctica.
Four family members and one stranger are trapped on an island with no means of communication—what could go wrong? The setup may sound like a mix of Agatha Christie and The Swiss Family Robinson, but Australian author McConaghy is not aiming for a cozy read. Shearwater Island—loosely based on Macquarie Island, a World Heritage Site—is a research station where scientists have been studying environmental change. For eight years, widowed Dominic Salt has been the island’s caretaker, raising his three children in a paradise of abundant wildlife. But Shearwater is receding under rising seas and will soon disappear. The researchers have recently departed by ship, and in seven weeks a second ship will pick up Dominic and his kids. Meanwhile, they are packing up the seed vault built by the United Nations in case the world eventually needs “to regrow from scratch the food supply that sustains us.” One day a woman, Rowan, washes ashore unconscious but alive after a storm destroys the small boat on which she was traveling. Why she’s come anywhere near Shearwater is a mystery to Dominic; why the family is alone there is a mystery to her. While Rowan slowly recovers, Dominic’s kids, especially 9-year-old Orly—who never knew his mother—become increasingly attached, and Rowan and Dominic fight their growing mutual attraction. But as dark secrets come to light—along with buried bodies—mutual suspicions also grow. The five characters’ internal narratives reveal private fears, guilts, and hopes, but their difficulty communicating, especially to those they love, puts everyone in peril. While McConaghy keeps readers guessing which suspicions are valid, which are paranoia, and who is culpable for doing what in the face of calamity, the most critical battle turns out to be personal despair versus perseverance. McConaghy writes about both nature and human frailty with eloquent generosity.
Readers won’t want to leave behind the imagined world of pain and beauty that McConaghy has conjured.Pub Date: March 4, 2025
ISBN: 9781250827951
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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