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THE PORTRAIT

An homage to Jane Austen written with great intelligence, but also a large measure of maudlin theatricality.

A young woman defiant of social conventions must quickly find a husband to preserve her mother’s aristocratic lineage in this debut 19th-century romance. 

When Lady Catherine Claverton is born, her father, the earl of Delamare, immediately despises her, incensed that she is not only a girl who cannot carry on the family name, but disabled as well. Exiled to a country estate and estranged from her father, she becomes a fiercely outspoken nonconformist despite being treated like a “weak-minded invalid.” When her father is on his deathbed, she learns an extraordinary secret: Her mother was the Countess St. Clair, a title she held before she married the earl. This was kept from Catherine for fear she would be exploited by others for the wealth and influence a marriage to her would promise. But now Catherine, just 24 years old, realizes that the title is really an earldom, which means she can continue her mother’s family line if she marries and births a son. She has only two eligible candidates: First, Sir Lyle Barrington, a passionate gentleman who is reputed to engage in nefarious business practices and may only be feigning interest in her opportunistically. And then there’s the handsome Capt. Avebury, a talented and well-heeled sailor. There’s a romantic spark between them, but unbeknown to Catherine, he’s on the run from the Admiralty, wanted for serious crimes, including murder. Meanwhile, Catherine is haunted by a past of her own—she imprudently allowed a young artist to paint a risqué portrait of her, a work he uses to threaten her for favors. Austen’s ambitious story is a vivid commentary on the rigid manners of the time. She is unabashedly inspired by her namesake Jane Austen. The protagonist is a remarkably independent woman for the period, and Catherine’s character is powerfully drawn by the author (Sir Lyle “treated her almost as if she were a young widow, not an unmarried woman. Perhaps that was a consequence of her refusal to conform to society’s expectations. She almost liked it. She certainly appreciated that he thought her smart and independent”). Unfortunately, the incessant reminders of Catherine’s autonomy finally become tediously heavy-handed. In addition, the author has none of Jane Austen’s mischievous wit—this is a well-crafted tale, but a humorlessly melodramatic one as well. 

An homage to Jane Austen written with great intelligence, but also a large measure of maudlin theatricality. 

Pub Date: Dec. 19, 2018

ISBN: 978-1-73251-580-2

Page Count: 340

Publisher: Apollo Grannus Books

Review Posted Online: June 30, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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