by Cassandra Austen ‧ RELEASE DATE: Dec. 19, 2018
An homage to Jane Austen written with great intelligence, but also a large measure of maudlin theatricality.
A young woman defiant of social conventions must quickly find a husband to preserve her mother’s aristocratic lineage in this debut 19th-century romance.
When Lady Catherine Claverton is born, her father, the earl of Delamare, immediately despises her, incensed that she is not only a girl who cannot carry on the family name, but disabled as well. Exiled to a country estate and estranged from her father, she becomes a fiercely outspoken nonconformist despite being treated like a “weak-minded invalid.” When her father is on his deathbed, she learns an extraordinary secret: Her mother was the Countess St. Clair, a title she held before she married the earl. This was kept from Catherine for fear she would be exploited by others for the wealth and influence a marriage to her would promise. But now Catherine, just 24 years old, realizes that the title is really an earldom, which means she can continue her mother’s family line if she marries and births a son. She has only two eligible candidates: First, Sir Lyle Barrington, a passionate gentleman who is reputed to engage in nefarious business practices and may only be feigning interest in her opportunistically. And then there’s the handsome Capt. Avebury, a talented and well-heeled sailor. There’s a romantic spark between them, but unbeknown to Catherine, he’s on the run from the Admiralty, wanted for serious crimes, including murder. Meanwhile, Catherine is haunted by a past of her own—she imprudently allowed a young artist to paint a risqué portrait of her, a work he uses to threaten her for favors. Austen’s ambitious story is a vivid commentary on the rigid manners of the time. She is unabashedly inspired by her namesake Jane Austen. The protagonist is a remarkably independent woman for the period, and Catherine’s character is powerfully drawn by the author (Sir Lyle “treated her almost as if she were a young widow, not an unmarried woman. Perhaps that was a consequence of her refusal to conform to society’s expectations. She almost liked it. She certainly appreciated that he thought her smart and independent”). Unfortunately, the incessant reminders of Catherine’s autonomy finally become tediously heavy-handed. In addition, the author has none of Jane Austen’s mischievous wit—this is a well-crafted tale, but a humorlessly melodramatic one as well.
An homage to Jane Austen written with great intelligence, but also a large measure of maudlin theatricality.Pub Date: Dec. 19, 2018
ISBN: 978-1-73251-580-2
Page Count: 340
Publisher: Apollo Grannus Books
Review Posted Online: June 30, 2019
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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