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GIRL IN FLIGHT

A vivid and engaging account of a unique childhood.

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In this debut memoir, a woman recalls a youth spent flying between parents.

In her book, Buchanan recounts an unusual childhood. Her life in flight began three days after her birth, when her adoptive parents, George and Meyera, whisked her away in their private jet. George, from a Manhattan family replete with crest-embroidered pajamas and handkerchiefs, and Meyera, the daughter of a Beverly Hills surgeon, lived a life of luxury loaded with fast cars, boats, airplanes, and a custom-built California home. After they divorced, George returned to Manhattan. At the age of 5, Buchanan began regular cross-country commercial airplane flights. Meyera and her widowed mother, Elsie, known by all as Meme, pooled their money to buy a 40-unit apartment building in Brentwood, California. The author recalls that compassionate residents and her close relationship with Meme helped her cope with Meyera’s alcoholism, George’s verbal abuse, and a constant, ugly battle over childrearing and custody arrangements that sent her flying between families several times a year. At 14, she concluded that “someone had to cut something adrift, or we’d all perish in this unwinnable war.” She refused to visit her father that Christmas, and he made good on a vow to never speak to her again. He died 17 years later. Buchanan deftly describes a life populated with the ultra-wealthy on both coasts. Her childhood love of horses will resonate with readers who were budding equestrians in their youth. Her description of seeing the real Chincoteague ponies after adoring the Misty of Chincoteague books is an especially apt rendering of a childhood disappointment. References to Joni Mitchell and Dionne Warwick place her childhood in the tumultuous late 1960s, a time that contributed additional stresses to her relationship with her conservative parents. Buchanan’s characterizations are a delightful mix of childlike remembrance and adult wit: A Brentwood neighbor in Apartment 502 “ran an import/export business and always kept a box of Strawberry Pop-Tarts on the premises.” Readers who grew up in similar circumstances will especially appreciate this engrossing book, which leaves the audience wanting to know about the author’s next chapter.

A vivid and engaging account of a unique childhood.

Pub Date: Oct. 1, 2024

ISBN: 9781068514418

Page Count: 281

Publisher: N/A

Review Posted Online: Jan. 28, 2025

Kirkus Reviews Issue: March 15, 2025

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WHEN WE SEE YOU AGAIN

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Remembering “Hershy.”

Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Pub Date: April 21, 2026

ISBN: 9798217198009

Page Count: 288

Publisher: Random House

Review Posted Online: April 21, 2026

Kirkus Reviews Issue: June 1, 2026

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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