Six stories and a novellaabout Japanese and Cambodians in the US and Americans in Japanin which Browder captures, as though under glass, small breakthroughs in understanding. ``Tigers'' is a subtle study, from the point of view of Daraa Cambodian teenager living in the US with her mother and American stepfather Tomof a complex family life and a past so horrific that the mother finds The Killing Fields ``too soft,'' while Dara ``couldn't remember the things my mother missed.'' ``Kisses'' is a touching character sketch of Tomura, a Japanese widower who comes to California and confronts his mortality. In ``Goodwill,'' Hmong refugees in a project, observed by a middle-aged black narrator, are incrementally initiated into American culture, especially once they have to deal with a ditzy woman brought to teach them ``life skills.'' Browder uses the narratorapproached by one of the Hmong children ``as if I was something from a foreign planet''to work small instances into tapestries of psychological and intercultural complexity. ``Sakurajima'' and ``The Altar'' turn the tablesAmericans must try to understand life elsewhereas does the title novella: a young apprentice potter, Eve, goes to Japan at the behest of her American teacher and stays in a ``six-mat'' room as she studies with retired potter Oita (``With the clay, you belong to Oita. In the house, you belong to his wife''). After a period of misreading everyone, Eve comes to seethe necessary lesson for an artist''How available time was here, and not to be hurried.'' With this debut, Browder joins Rohinton Mistry, Norman Rush, and Bharati Mukherjee, among others, as an original writer with an inviting multicultural perspective.
Pub Date: May 1, 1991
ISBN: 0-915943-63-8
Page Count: 176
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1991
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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