Mattie Lewis, 14, has been banished to South Dakota for the summer in a story that perfectly captures the voice, the thoughts, and the personality of an unhappy teenager. Mattie’s mother needs time to herself to finish her master’s thesis, so Mattie is shipped off to White Stone, South Dakota, a small town where Mattie’s great-grandmother had lived all her life, her house now being turned into a museum by the local historical society. Mattie, who hasn’t been to White Stone since she was eight, deeply resents being dumped for the summer. She suspects that a large part of her mother’s desire to have the summer to herself is so she can spend as much time as possible with Henry, her serious (and to Mattie, seriously boring and annoying) boyfriend. To Mattie’s surprise, she comes to enjoy the work at her great-grandmother’s house and enjoys digging around in her family’s past. Also, much to her amazement and delight, Mattie has her first real relationship with a boy. Although she feels uncomfortable with the local kids to whom she’s been introduced, she has an immediate bond with Lester, 17, a fellow summer exile to South Dakota—in his case, as punishment for a spot of trouble involving joyriding in a car. Mattie sees the summer, and especially her relationship with Lester, as a chance to reinvent herself. Instead of being the good girl who dutifully does as she’s told, maybe for once, it will be Mattie who breaks the rules and gets into trouble. “ ‘I might screw up this summer,’ Mattie said, suddenly inspired. ‘If I’m here long enough.’ ” The joys and pains of teenage romance are realistically and honestly described and the author accurately captures the ambivalent nature of the relationship between a mother and her adolescent daughter. Here is a girl who is torn between wanting her mother to take care of her and wanting her to realize she’s growing up, a captivating and charming protagonist with whom many readers will instantly identify. Beautifully written, thoroughly engaging, and very believable. (Fiction. YA)
Pub Date: Sept. 1, 2000
ISBN: 0-7636-0515-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2000
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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