A well-researched tribute to and resurrection of a master of fin de siècle art.
Suzanne Valadon (1865-1938) may not be a name most people mention when they discuss great artists. This biography should change that.
One might wonder how Valadon, whom Hewitt (The Mistress of Paris: The 19th-Century Courtesan Who Built an Empire on a Secret, 2015) describes in this excellent biography as having “revolutionized the art world and irreversibly altered the place of women within that world,” hasn’t received more widespread recognition. One reason is that Valadon adhered to no school of painting; another is that she was “a victim of the company she kept.” Some may think of her only as the mother of cityscape painter Maurice Utrillo or the model who inspired Renoir’s Dance at Bougival and The Large Bathers or the muse of Toulouse-Lautrec. Born in rural France to a linen maid and a father she never knew, Valadon moved to Montmartre with her mother and sister after her father died. When she was older, she frequented clubs like Le Chat Noir, where young artists discussed their desire to depict “contemporary life, the sweat and odour of real men and women.” A self-taught artist, she started as a nude model. But when Edgar Degas saw her secret drawings, he said, “you are one of us,” and helped her become the first woman painter to have works accepted into the Salon de la Société Nationale des Beaux-Arts. Hewitt chronicles Valadon’s romances and her difficulties in raising Maurice, whose childhood fits led to his lifelong battle with alcoholism. More importantly, the author demonstrates that Valadon’s works were revolutionary not just because of her style—“sharp, almost crude contours,” with the use of single lines for profiles—but because of the subject matter, such as children who, far from looking like the cosseted offspring of impressionist works, were naked, awkward, and “lonely, so incredibly lonely.” Hewitt sums up Valadon’s achievement perfectly: “Other artists showed what viewers wanted to see. Suzanne showed them what was true.”
A well-researched tribute to and resurrection of a master of fin de siècle art.Pub Date: Feb. 27, 2018
ISBN: 978-1-250-15765-2
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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