A well-researched tribute to and resurrection of a master of fin de siècle art.
Suzanne Valadon (1865-1938) may not be a name most people mention when they discuss great artists. This biography should change that.
One might wonder how Valadon, whom Hewitt (The Mistress of Paris: The 19th-Century Courtesan Who Built an Empire on a Secret, 2015) describes in this excellent biography as having “revolutionized the art world and irreversibly altered the place of women within that world,” hasn’t received more widespread recognition. One reason is that Valadon adhered to no school of painting; another is that she was “a victim of the company she kept.” Some may think of her only as the mother of cityscape painter Maurice Utrillo or the model who inspired Renoir’s Dance at Bougival and The Large Bathers or the muse of Toulouse-Lautrec. Born in rural France to a linen maid and a father she never knew, Valadon moved to Montmartre with her mother and sister after her father died. When she was older, she frequented clubs like Le Chat Noir, where young artists discussed their desire to depict “contemporary life, the sweat and odour of real men and women.” A self-taught artist, she started as a nude model. But when Edgar Degas saw her secret drawings, he said, “you are one of us,” and helped her become the first woman painter to have works accepted into the Salon de la Société Nationale des Beaux-Arts. Hewitt chronicles Valadon’s romances and her difficulties in raising Maurice, whose childhood fits led to his lifelong battle with alcoholism. More importantly, the author demonstrates that Valadon’s works were revolutionary not just because of her style—“sharp, almost crude contours,” with the use of single lines for profiles—but because of the subject matter, such as children who, far from looking like the cosseted offspring of impressionist works, were naked, awkward, and “lonely, so incredibly lonely.” Hewitt sums up Valadon’s achievement perfectly: “Other artists showed what viewers wanted to see. Suzanne showed them what was true.”
A well-researched tribute to and resurrection of a master of fin de siècle art.Pub Date: Feb. 27, 2018
ISBN: 978-1-250-15765-2
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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