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DANDELION

A 70’S MEMOIR

The rare celebrity-crammed memoir that would be worth reading even without the bold-faced names.

Abused child and lover of many a rock star puts her life down on paper.

James first hit the music scene in the 1960s, when the Gods of Rock still blazed paths of wanton devastation across America before retiring to their well-appointed British castles for heroin and philosophy. She came from a Southern California kind of nowhere, raised by a speed-freak mother of uncommon brutality and a mostly absent, alcoholic father who later became the world’s ugliest transsexual (we learn this in a shocking flash-forward that opens the book). Sent to an orphanage at age 12, James managed to get out one weekend and make friends with 22-year-old Bob Dylan, who was playing a gig in Santa Monica. In 1964, still only 14 years old, she lit out for Greenwich Village. Being someone who makes things happen, she remade herself into a fabulous It girl, landing a screen test with Andy Warhol and partying with rock stars. Two years later, involved in a romance with the Moody Blues’ Denny Laine, she forged papers to get a passport and joined him in London, where she bore his child. More harrowing abuse, a whirlwind romance with Mick Jagger, infatuation with Jimmy Page and plenty of Performance-like decadence followed. Her later years were calmer, as she concentrated on raising son Damian Christian and finding odd employment as a model, a movie scenery painter and a stand-in for Diane Keaton, but she still found time to fall hard for Jackson Browne. James is no prose stylist, but she cuts to the quick with an admirable economy, treating the mundane passages of her life with the same sanguinity as the ones littered with the rich and famous. There’s plenty of pain here, but little wallowing.

The rare celebrity-crammed memoir that would be worth reading even without the bold-faced names.

Pub Date: Oct. 1, 2007

ISBN: 978-0-312-36781-7

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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