A travel story that's missing an emotional journey.

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NOBODY IS EVER MISSING

Elyria Riley buys a one-way ticket to New Zealand, leaving her husband without warning or explanation, in Lacey’s debut novel. 

Elyria, a soap-opera writer, is no stranger to the emotional drama that can permeate daily life. She's haunted by memories of Ruby, her adopted sister, who committed suicide by jumping out a window. It was through this traumatic event that Elyria first met Charles, a mathematics professor; Ruby was his teaching assistant, and he bonded with Elyria over their common experiences of loss. As she dryly puts it, “[a]nother terrible thing was how I met my husband.” Death forms the foundation of their marriage until the day Elyria leaves Charles behind and goes to New Zealand. Her life becomes a series of hitchhiked rides, strange encounters and odd jobs. The plot would be worthy of a soap opera if not for Elyria’s distinctive self-awareness and critical voice. She's a cold, distant observer of her own feelings and actions. Early on, this voice pulls the reader in and provides moments of great insight and wit. “[T]o love someone,” she states, “is to know that one day you’ll have to watch them break unless you do first.” But as Elyria moves from job to job, from place to place, relying on the kindness of strangers she's quick to abandon, she exhausts the reader’s sympathies. As a narrator, she grows both less relatable and less reliable until the plot reaches its inevitable conclusion. Elyria is the last to realize that what she's trying to escape, after all, is herself.

A travel story that's missing an emotional journey.

Pub Date: July 8, 2014

ISBN: 978-0-374-53449-3

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 2, 2014

Kirkus Reviews Issue: April 15, 2014

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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