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JEALOUSY

THE OTHER LIFE OF CATHERINE M.

Remarkably honest. There is something both sad and deeply satisfying about watching this legendary mistress of emotional...

The famously sexually open memoirist grapples with jealousy.

In her bestselling memoir (The Sexual Life of Catherine M, 2002), Paris art critic Millet shocked the world with her unapologetically candid descriptions of an extravagant sex life with no boundaries and, seemingly, no consequences. After losing her virginity at 18, she immediately engaged in a weeklong bacchanalia of group sex. As an adult, she moved between long-term partners, but was consistently involved in sexual relationships with other people. She eventually ended up in a committed but open marriage to a fellow critic named Jacques. Soon after, however, Millet found in Jacques’ study a series of letters and photographs indicating that he was having an emotional, as well as physical, affair with another woman. Just as with her sexual life, Millet discusses her jealousy of this woman in a detached, intellectual tone, laying it out nakedly with no sense of embarrassment—though with some personal shock at the circumstances, as if her openness toward sexual pleasure ought to have left her immune to jealousy. To cope, the author traveled through Europe, obsessing about the details of the affair, calling Jacques in various states of emotional distress and at times retreating totally within herself. There are particular moments of poignant pain—when she became physically sick, for example, and had no recollection of it until Jacques pointed it out—but for most of the book her grief is stunningly relatable, even ordinary. In the end, she clawed her way back to trusting Jacques, though the experience left a distinct mark on her spirit.

Remarkably honest. There is something both sad and deeply satisfying about watching this legendary mistress of emotional bravado crumble.

Pub Date: Feb. 1, 2010

ISBN: 978-0-8021-1915-5

Page Count: 192

Publisher: Grove

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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