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SOLDIERS ONCE

MY BROTHER AND THE LOST DREAMS OF AMERICA’S VETERANS

A poignant memoir and consciousness-raiser, but not the clarion call that our veterans require.

Prolific ghostwriter Whitney takes her veteran brother’s untimely death—alone at age 53 with just $62 in his bank account—as a starting point for this meditation on what it means to be a veteran in America.

The nation’s ambivalence toward its veterans, the author suggests, is reflected in the contrast between words and deeds, between the ubiquity of yellow “support our troops” magnets on one hand and the number of veterans without adequate institutional support on the other. Whitney feels ambivalent about her estrangement from her brother, who served three tours in Vietnam as a combat engineer while she attended antiwar rallies stateside. “His resentment survived the decades,” she writes. “I was his Jane Fonda, the one who could never be forgiven.” Their personal conflict turned ugly nearly a decade after the war ended, and Jim disappeared to suffer his demons in solitude. Whitney persuasively argues that her brother’s fate is common among veterans of all ages. All but forgotten today, World War I veterans who had gathered in a tent city to shame the Hoover administration into raising their benefits were fired upon by troops ordered to the scene by Douglas MacArthur, who had convinced the president that the agitators were communists. Even the Greatest Generation vets, held up as models for the supposedly selfish Boomers of the Vietnam era, are not immune to the psychologically devastating effects of war. Whitney recounts numerous stories of retirees revisiting the horrors of long-ago battles with delayed posttraumatic stress disorder. More recently, veterans have had to fight an entrenched bureaucracy and partisan politicians to have their service-connected disabilities even recognized, let alone attended to. Though Whitney’s goal—to redress a wrong she feels she participated in against her brother and other veterans—is admirable, she ultimately becomes just another voice of complaint against a notoriously unjust system. She scolds but doesn’t offer a vision of how the system must change.

A poignant memoir and consciousness-raiser, but not the clarion call that our veterans require.

Pub Date: May 15, 2009

ISBN: 978-0-306-81788-5

Page Count: 224

Publisher: Da Capo

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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1776

Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

A master storyteller’s character-driven account of a storied year in the American Revolution.

Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.

Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

Pub Date: June 1, 2005

ISBN: 0-7432-2671-2

Page Count: 656

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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THE WAY I HEARD IT

Never especially challenging or provocative but pleasant enough light reading.

Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.

Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.

Never especially challenging or provocative but pleasant enough light reading.

Pub Date: Oct. 15, 2019

ISBN: 978-1-982130-85-5

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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