A pretentious tale of deluded love and lust in Manhattan's indulged academe—in a third from Schine (Alice in Bed, 1983; To the Birdhouse, 1990). Margaret Nathan—a historian who can't remember anything and the author of the surprising bestseller The Anatomy of Madame de Montigny—is hailed as brilliant by deconstructionists, feminists, and ordinary readers, none of whom has actually read her book. All of which sounds like a promising start for a comic novel of manners that will wittily skewer current literary icons and political shibboleths—except that Margaret, happily married to Edward, a Columbia English professor who constantly quotes poetry, is instead trapped in a story defined by an idea: a heavy, literary 18th- century idea based on her discovery of an obscure Enlightenment manuscript called Rameau's Niece, a not-so-subtle play on the actual Rameau's Nephew by Diderot—a philosophical work in the form of a dialogue between a lecherous philosopher and his beautiful female pupil. As Margaret translates the work—a pastiche of filched quotes—she's not only seduced by what she's reading but increasingly bored with Edward, finally deciding that ``the desire to know really is desire'' and that what she needs is a new lover. It's a decision that leads to embarrassing encounters with her teeth-obsessed dentist; with a kindly Belgian salesman who merely wants to give her the latest in hi-fi equipment; and with a friend of a former college roommate, who may be having an affair with husband Edward. This should make for high stylish comedy, of course, but it doesn't, as Margaret, the relentless theoretician, now back with Edward, recalls the philosopher's other advice: ``...in the end our truest opinions are not the ones we have changed, but those to which we have most often returned.'' Smug and smirky in-jokes without much bite and less humor, regaled by and for characters who well deserve their narrow, complacent lives.
Pub Date: April 2, 1993
ISBN: 0-395-65490-4
Page Count: 280
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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