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CRUSH

WRITERS REFLECT ON LOVE, LONGING AND THE POWER OF THEIR FIRST CELEBRITY CRUSH

The seemingly lightweight premise of an anthology built around celebrity crushes yields an outstanding selection of poignant...

A few dozen writers recall their childhood infatuations with celebrated media stars or iconic characters (literary or animated) and how these crushes influenced their future lives.

Editors Alter (Up For Renewal: What Magazines Taught Me About Love, Sex, and Starting Over, 2008, etc.) and Singleton (Behind Every Great Woman is a Fabulous Gay Man, 2005, etc.) make a few lofty claims about celebrity influences in the introduction, but they are surprisingly well played out in these sharply observed pieces: “Celebrity crushes change and mold us into the people we will become,” they write, “shaping our ideals, fueling our fantasies, aiding and abetting our conquests, and leading us to (or away from) the people we meet and fall in love with decades later.” Though boasting big-name contributors such as James Franco and mega-selling authors Stephen King and Jodi Picoult (both deliver impressive pieces), the more memorable stories come from lesser-known talents. Among the standouts is “My Own Private Danny Zuko,” in which Yesha Callahan recalls her budding romance as a black teen with a visiting white neighbor, a young John Travolta–like double, which led to an anguished confrontation with racism. Larry Doyle tells of his obsession with Mary Tyler Moore as the Laura Petrie character from the Dick Van Dyke Show, and David Shields writes about Barbara Feldon’s Agent 99 in Get Smart—each are stylish and hilarious inclusions. Caroline Kepnes grudgingly revisits an awkward letter-writing correspondence with 90210 actor Brian Austin Green, and Richard McCann’s fascination with Bette Davis and her influence on his emerging gay awareness provides the basis for a marvelous multilayered story that begs to be expanded into a full-length memoir. Loosely organized into eight chapters, the collection also includes pieces from Joanna Rakoff, Roxane Gay, Shulem Deen, and Shane Harris.

The seemingly lightweight premise of an anthology built around celebrity crushes yields an outstanding selection of poignant and thought-provoking stories.

Pub Date: April 5, 2016

ISBN: 978-0-06-239955-7

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 1, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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