Laugh along as a story about a tree in the forest comes full circle, bringing three creatures along for a bumpy but fun ride.

READ REVIEW

WHEN A TREE GROWS

A bonanza of possibilities opens up for Moose, Bear, and Squirrel, three forest companions.

There are two outcomes, one unremarkable and the other outlandish, for each of many causes, starting with the first page of the story. “When a tree grows,” it can become either a “scratching post for Moose’s itchy antlers,” or it can crash and fall, waking up Bear, who can do one of two things. And so it continues, as Moose encounters a truck, which leads Squirrel to set off for the city for a “job at Nifty Nuts as a quality control inspector.” Or not, which could lead to either a career as an actor or to his missing Moose and home. Which leads to an awesome “Welcome Home party,” which leads to—and the book concludes with—an even more awesome Edenic forest setting for reading, lounging, and just being one’s animal self. The text and the colorful digital illustrations work together in this silly but entertaining tale. Each verso page is busily filled with action and onomatopoeia while the corresponding recto page highlights one of the characters. The bottom right of this page features an image of a turned-up flap and a large “OR…” providing quick pacing for each far-fetched but why-not outcome.

Laugh along as a story about a tree in the forest comes full circle, bringing three creatures along for a bumpy but fun ride. (Picture book. 4-6)

Pub Date: April 2, 2019

ISBN: 978-1-4549-2120-2

Page Count: 32

Publisher: Sterling

Review Posted Online: Jan. 28, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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A quiet, warm look at the bond between grandfather and grandson.

MAX AND THE TAG-ALONG MOON

After a visit, an African-American grandfather and grandson say farewell under a big yellow moon. Granpa tells Max it is the same moon he will see when he gets home.

This gently told story uses Max’s fascination with the moon’s ability to “tag along” where his family’s car goes as a metaphor for his grandfather’s constant love. Separating the two relatives is “a swervy-curvy road” that travels up and down hills, over a bridge, “past a field of sleeping cows,” around a small town and through a tunnel. No matter where Max travels, the moon is always there, waiting around a curve or peeking through the trees. But then “[d]ark clouds tumbled across the night sky.” No stars, no nightingales and no moon are to be found. Max frets: “Granpa said it would always shine for me.” Disappointed, Max climbs into bed, missing both the moon and his granpa. In a dramatic double-page spread, readers see Max’s excitement as “[s]lowly, very slowly, Max’s bedroom began to fill with a soft yellow glow.” Cooper uses his signature style to illustrate both the landscape—sometimes viewed from the car windows or reflected in the vehicle’s mirror—and the expressive faces of his characters. Coupled with the story’s lyrical text, this is a lovely mood piece.

A quiet, warm look at the bond between grandfather and grandson. (Picture book. 4-6)

Pub Date: June 13, 2013

ISBN: 978-0-399-23342-5

Page Count: 32

Publisher: Philomel

Review Posted Online: March 13, 2013

Kirkus Reviews Issue: April 1, 2013

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