An eclectic mix of mystery, memoir, and the supernatural.
In Byrd’s touching debut memoir, a little boy stuns his parents by declaring that he was the baseball player Lou Gehrig in a previous life.
When Christian Haupt was only a toddler, he was singularly enthralled by the sport of baseball. Although he was still too young to play the game, he talked about it constantly, refused to wear anything else but a baseball uniform, and seemed peculiarly disinterested in other, typical attractions of his peers, including toys, television, or even other children. He also sometimes referred to himself as an alter ego named “Baseball Konrad.” Byrd, Christian’s mother, recorded a video of him playing ball in 2011 and posted it on YouTube in the hope of winning him the privilege of throwing out the first pitch of the season for his beloved Los Angeles Dodgers. The video was a sensation and ultimately led to Christian making a cameo appearance in the 2012 Adam Sandler movie That’s My Boy. It turned out that Christian’s indefatigable enthusiasm was coupled with genuinely precocious athletic talent. Byrd writes that one day in 2011, the young boy, still only 2 years old, started to share information about baseball from the 1920s and ’30s, including some that was esoteric even for avid, adult fans. Then Christian began to relate memories of what seemed like a past adult life as a baseball player; Byrd figured out that Christian believed that he was Hall of Famer Lou Gehrig of the New York Yankees. Byrd was initially unsure what to make of her son’s disclosures and sought counsel from multiple sources, including Jim B. Tucker, a well-known professor of psychiatry and neurobehavorial science. Byrd’s memoir almost reads like a suspenseful novel, and readers are sure to be gripped by the possible explanations she provides for Christian’s seemingly inexplicable memories. She also thoughtfully reflects on her own spirituality and the ways in which her son’s revelations challenged her Christian faith: “I was particularly interested in finding out why the concept of living more than one lifetime was incompatible with Christianity….Much to my surprise, I could not find a single scripture in the Bible that repudiates reincarnation.” On the whole, this is an affecting portrayal of parenthood and an affectionate love letter from a mother to her unusual child.
An eclectic mix of mystery, memoir, and the supernatural.Pub Date: March 21, 2017
ISBN: 978-1-4019-5342-3
Page Count: 240
Publisher: Hay House
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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