Though Kelly is a skilled writer, the excess of storylines weighs heavy on the novel.
Planning for a wedding causes loss and regrets to bubble up to the surface in Kelly’s (The House on Willow Street, 2013, etc.) new novel.
After Michael and Katy announce their engagement, they joke about the magnitude of their upcoming big event, announcing, “This wedding will make all lives better.” While this kind of lofty sentiment could come across as ridiculous if uttered by anyone else, from the charming and lovable Michael and Katy, it serves as a blessing for those around them. Katy’s best friend, Leila, is coping with the end of her own brief marriage as well as juggling the responsibilities of her job, her mother’s care, and her rocky relationship with her sister. Michael’s parents, Grace and Stephen, are divorced but amicable. Grace’s job as a school headmistress is often challenging, especially when it comes to struggling students such as Ruby Morrison. Ruby’s mother, Jennifer, has been impossible to live with since her marriage broke up a few years earlier. Her rage is all-encompassing, though the brunt of her anger is directed toward her ex-husband, Ryan, and his new girlfriend, Vonnie. Though Jennifer would love to believe Vonnie is a vapid temptress, she’s actually a young widow who moved with her son to Ireland from the United States in an attempt to find closure. A large part of Vonnie’s new life involves her bakery, Golden Vanilla Cake Shop, where she specializes in elaborate wedding cakes. Each character in this expansive cast is well-developed, but the novel is overcrowded with their voices. While all are somehow related to the upcoming nuptials of Michael and Katy, outside the circle of family and friends the connections become tenuous, and these vivid characters are done a disservice by being crammed into a novel that is barely theirs.
Though Kelly is a skilled writer, the excess of storylines weighs heavy on the novel.Pub Date: Aug. 4, 2015
ISBN: 978-1-4555-3540-8
Page Count: 464
Publisher: Grand Central Publishing
Review Posted Online: May 16, 2015
Kirkus Reviews Issue: June 1, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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