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THE HOUSE ON WILLOW STREET

The characters, with all their detailed idiosyncrasies, are authentically portrayed, and the peregrinations of the complex...

A novel for and about women, a tapestry woven of romance and mystery, secrets kept and revealed, hearts broken and mended, dreams shattered and realized as destinies are rediscovered.

The author begins by taking the reader on a tour of the small town of Avalon on the Irish Coast, introducing her cast of characters, hinting at their secrets, letting them question, surprise and ultimately support one another. Danae, the postmistress, is kind and discreet, careful not to pry too much into the private lives of the people she serves, knowing from personal experience that some things are just too hard to talk about. Her niece Mara leaves small-town life for a career in the big city only to return to nurse a broken heart. Tess remains home to care for her dying father, marries, has two children and runs an antiques business. When her marriage to Kevin grows bland, she suggests a trial separation to see if absence will make their hearts grow fonder. Tess’ older sister Suki left home as soon as she could, seeking a bigger pond, and when her marriage into a famous, wealthy American family ended, she embarked upon an affair with a famous rock star. Additionally, she made a name for herself as the author of a best-selling feminist work titled Women and Their Wars. By the time we meet her, Suki is alone, broke and dealing with writer’s block. She is also running from a scandalmonger seeking information about the famous family she was once a part of and decides to hide out with her sister back home.

The characters, with all their detailed idiosyncrasies, are authentically portrayed, and the peregrinations of the complex plot make for a fascinating journey and an excellent read.

Pub Date: Jan. 8, 2013

ISBN: 978-1-4516-8140-6

Page Count: 496

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 10, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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