A witty, guileful novel that underscores the slippery connection between fiction and “real” life.

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WHO'S WHO WHEN EVERYONE IS SOMEONE ELSE

A clever novel about novels that is playful and more accessible than many other experiments in metafictional writing.

The narrative line is straightforward—an anonymous narrator who has edited a moderately successful book has been invited to an anonymous European country to deliver a series of lectures on 10 lost, neglected, or forgotten novels. (In a footnote, the narrator shrewdly and wittily references his previous work as Rose’s first novel, The Biographical Dictionary of Literary Failure.) Much of the novel is taken up by the 10 lectures he presents. While at first he finds himself speaking to enthusiastic academic audiences, by the final lecture there is literally no one in attendance, and the “lecture” consists of four blank pages of silence. In the lectures the narrator “quotes” from the illusory books and speculates on their significance, delving into issues of why they’ve been forgotten or neglected, and this speculation often leads him to aesthetic issues about fiction in general (e.g., “If we can say that this book is ‘about’ anything...it is about lives passing in moments, and moments taking lives to pass”). After each public presentation, the Profesora, one of his hosts for the series, critiques his lecture over cigarettes and coffee, usually rather harshly ("Poor ending....Weak..."). And if 10 lectures about imaginary books, critiques of those lectures, and debates about the aesthetics of literature were not enough, we learn that the narrator is trying to track down information about Maxim Guyavitch, an enigmatic and elusive author he finds fascinating, in part because Guyavitch has written only nine stories. By the end of the novel it’s not clear to the narrator whether Guyavitch has ever existed.

A witty, guileful novel that underscores the slippery connection between fiction and “real” life.

Pub Date: April 10, 2018

ISBN: 978-1-61219-713-5

Page Count: 256

Publisher: Melville House

Review Posted Online: Feb. 20, 2018

Kirkus Reviews Issue: March 1, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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